After being released in 1990, Luc Besson’s Nikita, with its haywire young woman who after acidentally killing a cop gets a second chance as a government assassin, spawned countless knock-offs, but also more than a few straight remakes. In 1993, John Badham directed Point of No Return with Bridget Fonda as the assassin re-named Nina ; the film was actually close to a shot-for-shot remake, which wasn’t the case of the successful TV series La Femme Nikita, which ran for five seasons and considerably glamorized the concept, with the statuesque Peta Wilson in the title role. And in 2010, it was Maggie Q’s turn to have a try at the character, in another successful series that was this time aimed squarely at teenagers. But the least-known of the Nikita remakes is also the earliest one: Stephen Shin’s Black Cat, which was produced by the D&B Film company (of the Tiger Cage and In The Line Of Duty films) in 1991, just one year after Besson’s seminal film.
All posts in category Film Reviews
BLACK CAT (1991) review
Posted by LP Hugo on May 21, 2012
https://asianfilmstrike.com/2012/05/21/black-cat-1991-review/
IN THE LINE OF DUTY 5 : MIDDLE MAN (1990) review
Some say the In The Line Of Duty franchise started its decline with this fifth installment, directed by Cha Chuen Yee in 1990, a time when the Girls With Guns genre was starting to recede to alternative Asian film industries like Taiwan or the Philippines. It’s true that while it has been the common lot of the films of this franchise to have mostly disposable plots, the story in In The Line Of Duty 5 is particularly uninspiring and trite. It involves things such as the CIA, a marine on leave and drug dealers, all intertwined in the least interesting ways possible. At the center of these wholly uninteresting goings-on is, again, the endearing Cynthia Khan, who it must be said got more and more credible as an ass-kicker with each installment.
Posted by LP Hugo on May 14, 2012
https://asianfilmstrike.com/2012/05/14/in-the-line-of-duty-5-middle-man-1990-review/
WIND BLAST (2010) review
To earn enough money to run away with his girlfriend Sun Jing (Charlie Yeung), Zhang Ning (Yu Xia), accepts an offer from a mysterious employer to kill a mob boss. As a safeguard, he secretly takes a picture of this employer. But having carried out the hit, he finds himself and his girlfriend chased through the Gobi desert not only by four policemen (Duan Yihong, Ni Dahong, Jacky Wu Jing and Zhang Li), but also by two mysterious bounty hunters (Francis Ng and Yu Nan).
Wind Blast is obviously directed by Gao Qunshu (who co-directed the great The Message) as a thrill-ride with overtones of the western genre, be it the barren landscape in which everything unfolds or chases on horseback and mexican stand-offs. The story itself is pared down to its essentials, and Gao does a good job (he also wrote the film) of slowly revealing the dynamics that exist between the characters of this ensemble. It helps that he has a great cast to work with : the quartet of cops makes for an endearing team with Duan Yihong charismatic enough as the purposeful cop, Ni Dahong on fine form as the wise but jaded superior, Zhang Li striking in a long white coat, and a very fun Jacky Wu Jing as an almost childish auxiliary who insist on being called “Knight”. Yu Xia is an ambiguous presence as the fugitive, but you could say Charlie Yeung is wasted in a nothing role as her long-suffering girlfriend. But the real sparks come from Francis Ng and Yu Nan as the bounty hunters. Ng rocks a strange haicut (for a change…) and is his reliable self, providing the quartet of cops with a rather formidable opponent, while Yu Nan takes a very thinly written role and makes it a force to be reckoned with her almost reptilian menace offset by a sullen demeanor. Watching her here as a kick-ass hitwoman, it’s not difficult to understand why she was cast as a member of the Expendables in the second film.
Posted by LP Hugo on May 13, 2012
https://asianfilmstrike.com/2012/05/13/wind-blast-2010-review/
IN THE LINE OF DUTY 3 (1987) review
In 1987, Michelle Yeoh having gone on an early retirement, a novice by the screen name of Cynthia Khan was brought in by the D & B film company to fill her shoes as the star of the In The Line Of Duty series. The first one, Yes Madam!, was directed by Corey Yuen and paired Yeoh with Cynthia Rothrock in a wildly uneven film that was more of a madcap comedy until the bone-crunching finale. The second one, Royal Warriors, was directed by David Chung and was a vast improvement, a blistering action movie in the best eighties’ Hong Kong cinema tradition. In The Line Of Duty 3 (also known sometimes with the subtitle Force of the Dragon), is directed by Brandy Yuen and Arthur Wong, the latter being better known as the ace director of photography of countless classic Hong Kong films.
Posted by LP Hugo on May 11, 2012
https://asianfilmstrike.com/2012/05/11/in-the-line-of-duty-3-1987-review/
MY YOUNG AUNTIE (1981) review
My Young Auntie was the breakout film for Kara Hui, a young actress with a background in ballet, who was legendary director Liu Chia Liang’s protégé and, some say, his mistress. Gossip aside, she was indeed quite a sensation, earning the Hong Kong Film Award for best actress in this award show’s first ever edition in 1981. And you can see why: cute and graceful, sprightly and playful, she was – and is – also a fine actress capable of immediately earning the public’s sympathies. In a way, she was superseded shortly after by Michelle Yeoh, a more striking performer in every way ; still, Hui remains a unique presence to this day, having made a bit of a comeback after a string of obscure films in the nineties. Directed by Liu Chia Liang, My Young Auntie has Kara Hui play a young woman of modest origins, who is married by a kind and wealthy old man who fears his fortune could go to his cruel brother after his impending death. After he dies, Hui meets his nephew (played by the director himself) and his son (Hsiao Hao), a hyperactive student. She then has to impose herself as the family’s dean (although she’s younger than everyone), while fending off the cruel brother’s attempts to reclaim the inheritance.
Posted by LP Hugo on May 7, 2012
https://asianfilmstrike.com/2012/05/07/my-young-auntie-1981-review/
DOUBLE VISION (2002) review
Proceeding both from the “Serial Killer thriller” wave initiated by the success of David Fincher’s Se7en, and from the horror phase in Asian cinema fueled by the international fame of Hideo Nakata’s Ringu, Chen Kuo-Fu’s Double Vision was co-produced by Columbia and is one of those rare Asian films featuring a well-known American actor in a prominent role. In this case it is David Morse, a consistently excellent character actor, who is paired up with the great Tony Leung Ka-Fai. They play a disenchanted FBI agent and a Taiwan cop with family issues respectively, the former being sent to Taipei to help the ill-equipped local police investigate a series of strange murders. All the victims have been found drowned without the presence of water, burnt without trace of fire, or even gutted without anyone’s intervention ; furthermore, traces of a strange fungus have been found in their brain. Soon it appears that the killer is carrying out an ancient Taoist ritual that is supposed to give him immortality.
Posted by LP Hugo on May 1, 2012
https://asianfilmstrike.com/2012/05/01/double-vision-2002-review/
TOKYO RAIDERS (2000) review
When her wealthy Japanese fiancé Takahashi (Toru Nakamura) doesn’t show up at their wedding, Macy (Kelly Chen) decides to head for Tokyo and look for him. Yung (Ekin Cheng), their interior decorator, decides to tag along, because the bills haven’t been payed and he wants his money. In Tokyo, the bickering pair runs into mob boss Ito (Hiroshi Abe)’s men, and are rescued by fellow Chinese and private eye Lin (Tony Leung Chiu-Wai), who is also looking for Takahashi. But, of course, nobody is what they say they are, though everyone has the same goal : find Takahashi.
Posted by LP Hugo on April 14, 2012
https://asianfilmstrike.com/2012/04/14/tokyo-raiders-2000-review/
THUNDERBOLT (1995) review
Drawing from Jackie Chan’s own passion for cars and car racing, Gordon Chan’s Thunderbolt has him play Chan, a mechanic who runs a small business with his father (Yuen Chor) in Hong Kong. Occasionally, he also helps the police in checking illegally upgraded cars. That is how he crosses paths with Krugerman (Thorsten Nickel), a psychotic street racer. When Krugerman tries to escape the police, Chan gets in a car and stops him after a very dangerous chase. Later, Krugerman gets revenge by destroying his business and kidnapping his two sisters ; if he wants to get them back alive, Chan must confront him in a race. The most striking thing about Thunderbolt, is that Jackie Chan is extensively – and obviously – doubled in every fight scene. Having injured his ankle while shooting Rumble in the Bronx, Jackie had no choice but to resort to a stunt double, and it shows. The two or three big fight scenes are up to his usual great standards of choreographing excellence and invention, but they are edited mostly in quick cuts and they feature a whole lot of shots where “Jackie Chan” is turning his back to the camera. This makes for a frustrating spectacle : it’s no secret the thrill of watching a Jackie Chan film comes from the knowledge and evidence that he is doing everything we see his character doing. Take away that factor, and even with the same choreography, it all looks mundane.
Posted by LP Hugo on April 13, 2012
https://asianfilmstrike.com/2012/04/13/thunderbolt-1995-review/
MOB SISTER (2005) review
After getting his big break in the Hong Kong film industry with the over-indulgent and gaudy Jiang Hu (aka Triad Underworld), director Wong Ching-Po came back to the world of the Triads with Mob Sister, and once again gathered a who’s who of Hong Kong gangster films, from acting gods and Johnnie To regulars Simon Yam and Anthony Wong Chau Sang to Derek Yee’s go-to actors Alex Fong and Liu Kai-Chi, as well as the omnipresent Eric Tsang, and a representative of the Yuen clan in the person of Yuen Wah. Add to that fresh faces like Annie Liu, up and coming mainland actor (at the time, now he’s well-established) Ye Liu and actress Karena Lam, and you get one of the most intriguing and exciting casts in a while. Annie Liu is Phoebe, the adopted daughter of a kind-hearted mob boss (Eric Tsang), who lives a sheltered life surrounded by her father, her three protective uncles (Yam, Wong, and Fong), and her bodyguard (Ye Liu). But when her father is killed, she is called on to replace him as triad boss. The idea of an innocent teenage girl catapulted into the shoes of a mob boss is pure comedy material, but Wong Ching-Po choses – wisely – to not settle on a particular tone, instead oscillating between whimsical, bittersweet and tragic, and peppering his film with animated sequences that illustrate the “mob sister”‘s feelings.
Posted by LP Hugo on April 9, 2012
https://asianfilmstrike.com/2012/04/09/mob-sister-2005-review/
ASIAN COP: HIGH VOLTAGE (1995) review
The second half of the nineties can in a way be considered Donnie Yen’s “dark period”; Yen had earned a reputation as a difficult actor to work with, and alienated himself from the Yuen clan, mainly his mentor Yuen Woo-Ping. Thus, he turned to TV (where he found success with the Fist Of Fury TV series), and to alternate Asian film industries, such as Taiwan or the Philippines. It is in the latter country that he shot Asian Cop: High Voltage (henceforward High Voltage), under the direction of Andrew Kam. In the film, Yen plays Chiang, a headstrong cop (just like he does in most of his contemporary-set films) who gets sent to the Philippines to ensure the safety of an important witness who is the only one who can testify against bla bla bla… There he is partnered with Edu (Edu Manzano), a by-the-book Filipino cop who doesn’t approve of his methods bla bla bla… But Chiang discovers that crazed gangster Dick (Roy Cheung) is involved in the whole affair, and you see, Dick killed Chiang’s wife. So Chiang, who was already a bit of loose cannon, in now an even looser cannon.
Posted by LP Hugo on April 8, 2012
https://asianfilmstrike.com/2012/04/08/asian-cop-high-voltage-1995-review/









