Considered a true classic of 20th-century English theatre, J.B. Priestley’s three-act play An Inspector Calls has been brought to the stage countless times since it was first performed in 1945, and it’s been a fixture of the BBC’s TV and radio programming (with yet another mini-series in preparation for 2015, starring David Thewlis) but it has comparatively been the object of few big screen adaptations. In fact, Raymond Wong and Herman Yau’s film is the first time the play is adapted for theatrical release since Guy Hamilton’s (of Goldfinger fame) 1954 adaptation. And surely it’s the most unexpected iteration of the story since the 1979 Soviet mini-series Inspector Gull. Screenwriter Edmond Wong transposes the setting from the North Midlands of Great Britain in 1912 to Hong Kong in 2015, but follows J.B. Priestley’s narrative pretty closely : the mysterious inspector Karl (Louis Koo) pays an unexpected visit to the rich Kau family’s estate. Mr. and Mrs. Kau (Eric Tsang and Teresa Mo) are in the final preparations for their daughter Sherry’s (Karena Ng) engagement party as she is soon to marry a handsome young businessman Johnny (Hans Zhang), while their son Tim (Gordon Lam) looks on in contemptuous bemusement, and clearly annoyed at his own girlfriend, socialite Yvonne (Ada Liu Yan). Inspector Karl informs them that a young woman (Chrissie Chau) from Mr. Kau’s factory has been found dead from what appears to be a painful, protracted suicide by disinfectant ingestion. As he starts to interrogate each member of the family in turn, it appears everyone of them was linked to the deceased woman, and everyone may have played a more or less active role in her eventual demise.
All posts tagged louis koo
AN INSPECTOR CALLS (2015) review
Posted by LP Hugo on April 11, 2015
https://asianfilmstrike.com/2015/04/11/an-inspector-calls-2015-review/
Z STORM (2014) short review
A tale of greed, corruption, and wire-tapping in the Overheard mould but with only a fraction of the star-power and production values, Z Storm follows an ICAC (Independent Commission Against Corruption) team that has less than a week to expose the wide network of corruption surrounding the forthcoming IPO of the Z Hedge Fund, a US operation in which the government has invested 15 billion dollars. Director David Lam made the unwise choice to combine over-complicated (to the uninitiated at least) financial jargon and palaver with a fairly simplistic narrative and a self-righteous tone that borders on parody and/or propaganda. All ICAC agents are portrayed as knights in shining armors (or rather, in tailored suits) with some lines sounding more like slogans than something anyone would naturally say : other reviews have rightly singled out “Where’s there’s corruption, there’s the ICAC too”, but we also like the impressed “You have outstanding men at your service”, that a cameo-ing Alfred Cheung intones to the head of the ICAC. Nevertheless Z Storm is never boring, and while Louis Koo sleepwalks handsomely throughout the film, Lam Ka Tung and Michael Wong as a corrupt cop and a corrupt lawyer respectively, both cut strikingly despicable figures, and provide the film with some life and sparkle. **
Posted by LP Hugo on October 30, 2014
https://asianfilmstrike.com/2014/10/30/z-storm-2014-short-review/
OUT OF INFERNO (2013) short review
One of two high-profile firefighting films that came out in the end of 2013 and beginning of 2014, the Pang Brothers’ Out of Inferno is a disaster film that plays by all the most well-worn rules of the book. It has a typical ‘wrong place, wrong time’ set up as it takes place on the most humid day of the past 50 years in Guangzhou, in a building whose air conditioning inexplicably malfunctions. And before the fire erupts, forthcoming human drama is set up, that will complement the mayhem, and a roster of diverse characters played by familiar faces is introduced. At the center there’s two estranged brothers : Tai Kwan (Lau Ching Wan) is a sturdy, no-nonsense but conflicted fireman called in to deal with the fire, and whose pregnant wife (Angelica Lee) happens to be visiting her obstetrician in the building ; and Keung (Louis Koo), a former fireman himself and now the building’s director of security is also on the spot, holding a fundraiser whose guests he soon has to take to safety. There’s also a diamond-cutter (Hui Siu Hung) whose employees take advantage of the fire to steal the merchandise, a family guy (Eddie Cheung Siu Fai) whose wife is opening a shop in the building, and a few others. This is an efficiently-directed disaster film with often impressive CGI (though nothing ground-breaking on that front), that suffers from an intense and ever growing sense of ‘been there, done that’ as it borrows from countless films, plays out in completely predictable fashion and possesses little originality in a genre that needs originality to generate any kind of relevance or excitement. The chemistry between Lau and Koo, in their 12th pairing, is the film’s saving grace, but in the end nothing is likely to stick in the spectator’s mind. **1/2
Posted by LP Hugo on October 27, 2014
https://asianfilmstrike.com/2014/10/27/767/
A CHINESE FAIRY TALE (aka A CHINESE GHOST STORY) (2011) review
Remaking Ching Siu Tung’s 1987 fantasy love story A Chinese Ghost Story was a bold move. The original is still a reverred classic, featuring a legendary screen couple in the person of the late Leslie Cheung and the now-retired Joey Wong, some of Ching Siu Tung’s most inventive choreography, and an effectibe blend of romanticism, tragedy and comedy, with crappy but well meaning special effects and a very popular soundtrack. It gave way to two sequels and a whole wave of fantasy love stories. A remake was always going to face a very tough challenge, especially since the legendary Leslie Cheung committed suicide in the early 2000’s, which adds a sheen of intensely emotional nostalgia to all his greatest successes.
Demon hunter Yan (Louis Koo in the role made famous by Wu Ma) fell in love years ago with demon Siu Sin (Liu Yifei replacing Joey Wong), but due to the forbidden nature of their union, had to leave her after suppressing her memories. Years later, naïve scholar Ning (Yu Shaoqun trying to fill the shoes of Leslie Cheung) is searching the forest trying to find a water source for a small village suffering from a drought, when he comes across a temple where he encounters life-sucking demons, one of whom is none other than Siu Sin. They fall in love with each other as she spares his life, thus finding herself hunted by her fellow demons. Things get more complicated when Yan re-emerges, setting demons, demon hunters, villagers and lovers on a collision course.
Posted by LP Hugo on September 10, 2012
https://asianfilmstrike.com/2012/09/10/a-chinese-fairy-tale-aka-a-chinese-ghost-story-2011-review/



