DRUNKEN MONKEY (2004) review

When Liu Chia-Liang, the legendary director/actor of the Shaw Brothers’ heyday, directed Drunken Monkey in 2003, he was coming off a nearly ten-year hiatus from movies, having last directed (and butted heads with) Jackie Chan in the indisputable classic Drunken Master II. He was 67 years-old and the kind of costumed martial arts movie he had been famous for (like My Young Auntie, Mad Monkey Kung Fu or The 36th Chamber of Shaolin, to name only a few) had been out of fashion for a long time. Indeed, thrillers about undercover cops or cgi-heavy action extravaganzas were all the rage, and Jackie Chan, Jet Li, Donnie Yen and Sammo Hung Kam-Bo were working mostly overseas. Sure, Ang Lee’s Crouching Tiger, Hidden Dragon and Zhang Yimou’s Hero had triumphed domestically as well as internationally, but they represented painterly wire-fu rather than the more down-to-earth, blistering brand of kung fu that Liu had been famous for.

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