THE WITNESS (2015) review

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A remake of his own successful Korean thriller Blind (2011), Ahn Sang-hoon’s The Witness transposes the action to China but keeps much of the original film’s key plot points. Xing (Yang Mi) is a young cop who lost her brother in a car accident. She blames herself for the tragedy, as she had tied her unruly sibling’s hands in the car to keep him still, leading to his eventual inability to escape the car as it teetered on the edge of a bridge. She also lost her eyesight in the accident, which means she can’t be a cop anymore, and leads a dour, guilt-ridden life. One day she gets into a cab whose driver turns out to be a psychopath (Zhu Yawen) who’s behind a wave of abductions, with all the victims being beautiful young women. As Xing struggles to break free of the driver, the cab hits someone who was crossing the street, and she manages to escape. The next day she reports the incident to the police, and astounds the detective in charge of the investigation (Wang Jingchun) with her astute observations on her would-be abductor : though she’s blind, her astute remaining senses and sharp deduction skills allow her to provide useful information. But soon thereafter a young skater, Chong (LuHan), turns up at the police station : he says he’s witnessed the incident, but his indications don’t match Xing’s. As a wayward youngster his testimony doesn’t weigh much more than that of the blind woman, but things become urgent when Xing realizes she’s dropped her diary in the psychopath’s car, and he may now be stalking her.

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