ABDUCTION (2019) review

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17 years after they co-starred – at the very beginning of their respective careers – in one of the worst films of all time, Tsui Hark’s Black Mask 2: City of Masks, Scott Adkins and Andy On are back together, this time in a Chinese straight-to-vod executive-produced by Roger Corman, no less. Behind the camera is Ernie Barbarash, whose output includes the bad (Cuba Gooding Jr vehicle Hardwired), the middling (Jean-Claude Van Damme vehicles Assassination Games and Pound of Flesh) and the solid (Michael Jai White vehicle Falcon Rising and another JCVD, Six Bullets). Fortunately, Abduction falls into the latter category. It follows Quinn (Scott Adkins) a man who following the kidnapping of his daughter in 1985, wakes up in 2018 Saigon, having not aged one bit, and with vague recollections of fighting inter-dimensional beings. To find his daughter, he teams up with Conner (Andy On), a soldier turned enforcer whose wife was just abducted by the same beings, and with Anna (Truong Ngoc Anh), a doctor who’s the only one to believe them.

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