IP MAN AND FOUR KINGS (2019) short review

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Years after the Ip Man trend faded, and weeks before Wilson Yip and Donnie Yen’s hotly anticipated Ip Man 4 arrives on the big screen, here’s a straight-to-VOD cash-in starring Michael Tong in the titular role. Here, the grandmaster of Wing Chun is wrongly accused of murder and must both clear his name and break a human-trafficking ring; for this he needs to earn the respect in combat of the “Four Heavenly Kings”: the heads of the gambling, prostitution, alcohol and catering syndicates of the city. Fu Li Wei’s Ip Man and Four Kings is a cheap affair of course, unfolding in sets alternatively bare and slightly-anachronistic, borrowing music in distracting ways (Gabriel Yared and Stéphane Moucha’s score to the German classic The Lives of Others pops up at some point, so does Brad Fiedel’s famous Terminator rhythm), and with fights over-edited in a way that suggests shooting time-constraints. The film starts with a “same-same but different” rip-off of the famed ‘rainy nighttime street’ fight from Wong Kar Wai’s The Grandmasters, down to the slow-mo stepping into puddles and the collapsing steel gate, and indeed Michael Tong’s Ip Man has the same white hat as Tony Leung’s Chiu Wai. Yet from then on, it borrows much more from the Wilson Yip/Donnie Yen films’ grammar of evil gweilos and corrupt cops, even acknowledging the events of Ip Man 1 & 2. Tong makes for a passable Master Ip, and would probably have been a fine one with a better script and better production values. And while the fights are sometimes marred by silly wirework, conspicuous under-cranking and the aforementioned over-editing, they’re plentiful in the second half, and solidly entertaining once expectations have been lowered. But who wouldn’t lower expectations before watching a Chinese straight-to-VOD cash-in? **