BORN TO DEFENSE (1986) review

Most major martial arts actors, like Jackie Chan, Donnie Yen or Sammo Hung Kam-Bo, have often adopted a very hands-on approach in the creative process by action-directing and/or directing, and even sometimes writing, the films they starred in. Jet Li on the other hand has mostly stuck to starring, except in the case of Born To Defense, which he directed, choreographed and starred in in 1986, after The Shaolin Temple (1982) made him an overnight sensation.

In the film, Li (looking like he’s barely out of puberty) plays Jet, a World War II hero who comes homes only to find American soldiers bullying his people. After they destroy his rickshaw, he finds himself penniless and agrees to serve as a sparring partner, or rather glorified punching-bag, for the soldiers. Things escalate when a towering American (Kurt Roland Peterson) challenges Jet, to destructive results. As you can see from this brief synopsis, Born To Defense doesn’t have much of a plot. After an introductory war scene, and a few minutes dedicated to Jet’s cautiously optimistic homecoming, the film devolves into a repetitive succession of scenes featuring either Jet fighting an American, or Americans abusing Jet and his friends.

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STAR RUNNER (2003) review

  Bond (Vanness Wu) is a high-school student whose real passion is Muay Thai kickboxing, which he practices at a club headed by Lau (Gordon Liu). His ambition is to enter the prestigious Star Runner competition, and he devotes himself to that goal at the expense of his school work. Having to take Summer classes, he meets the young Korean teacher Mei Chiu (Kim Hyun-Joo), and soon enough they’re in love. But as his focus moves from training for the competition to romancing Mei Chiu, someone else is chosen by Lau to represent the club in the competition, and Bond is expelled for having resisted this decision. But not all is lost as Bill (Max Mok), a washed-out former martial arts champion, takes him under his wing and teaches him to incorporate elements from other martial arts into his muay Thai. Together they form a team and enter the Star Runner competition, with an eye on challenging Tank (Andy On), the reigning champion.

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SUPERCOP 2 (aka PROJECT S) (1993) review

After having taken a 5-year break from 1987 to 1992 to dedicate herself to her mariage with producer Dickson Poon, Michelle Yeoh made a triumphant comeback as Jackie Chan’s female counterpart in Police Story 3 : Supercop. She made such an impression in it, more than holding her own in the fight scenes next to Chan, that her character in that film, Mainland police officer Jessica Yang, got her own spin-off the following year : Supercop 2 (also known as Project S). When her boyfriend David (Yu Rongguang) decides to leave for Hong Kong to try and make a better living, Jessica Yang refuses to go with him, out of dedication to her work as a police officer. Later, she is herself called to Hong Kong to help fight against a huge crime wave in the city. What she doesn’t know yet is that David has crossed over to the other side of the law and is one of the masterminds behind this crime wave.

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BLADE OF FURY (1993) review

  Blade of Fury is a peculiar film within the abundant filmography of Sammo Hung Kam-Bo, the director : it was an assignment he took to help Lo Wei, the once-prominent director of two Bruce Lee films, Big Boss and Fist of Fury. Now fallen from grace, Lo Wei needed a well-established director badly to step up and direct this Wu Xia Pan during the early-nineties craze for the costumed epics. In came Sammo Hung, but serendipitously, the plot for Blade of Fury is said to have deeply echoed Hung’s personal beliefs, which he seldom got to express in film, given the often lighter tone of his other films as director. In the film, the legendary Ti Lung plays Tan Szu-Tung a government official travelling to Beijing with his disciple (Cynthia Khan), where advancement awaits him. On the road he meets Wong Wu, a lone swordsman (Yeung Fan), who helps him thwart a bandit raid. It’s the beginning of a friendship that will lead to the two joining forces to try and implement reforms in imperial China.

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BIG BULLET (1996) review

Bill Chu (Lau Ching Wan), a dedicated but headstrong Hong Kong cop, is demoted to the Emergency Unit for having punched his incompetent commanding officer during a police raid gone awry. There, he butts heads with by-the-book cop Jeff Chiu (Jordan Chan), and keeps trying to stop a gang of international criminals headed by Anthony Wong Chau-Sang and Yu Rongguang. There’s nothing new in this plotline, but there’s Benny Chan behind the camera, a superb cast in front, and a better-than-average script to tie it all in. Today Benny Chan is one of the top directors in Hong Kong and China, but in the middle of the nineties, having been revealed by the A Moment of Romance films, he was only starting to get to really shine, with main HK luminaries such as John Woo, Ringo Lam, Kirk Wong and Tsui Hark off to the United States. Although Big Bullet was a hit in Hong Kong at the time, it is strangely forgotten today, and never crossed over to the West as other HK action films have.

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LAST HERO IN CHINA (1993) review

In 1993, near the end of production on Tsui Hark and Jet Li’s third installment in the insanely successful Once Upon A Time In China series, there seemingly was some kind of dispute between director and star, which led to the two not working together for more than a decade, despite their working relationship being as legendary as, say, John Woo and Chow Yun Fat. It also led to Jet Li leaving the Once Upon A Time In China franchise (and being replaced with Vincent Zhao). But less than a year later, Li took the role of Wong Fei-Hung again, in a non-official installment : Last Hero in China.

In a way, Last Hero in China (also called Claws of Steel in some places), is to Jet Li what Never Say Never Again is to Sean Connery: both a loving hommage and a cheeky send-up of the character that made him a superstar. A cheeky send-up, in part because the director is none other than Wong Jing, the ‘master’ of heavy and greasy Hong Kong comedy, but a loving homage, because beneath the comedy, there is still Master Wong’s impeccable mastery of Wushu, choreographed by the great Yuen Woo-Ping (just like the first two Once Upon A Time In China films).

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PAINTED SKIN (2008) review

Wang Sheng (Chen Kun) is a general who rescues a young woman named Xiao Wei (Zhou Xun) during a raid against desert bandits. Hearing that she is alone in the world he takes her as one of his household’s servants back home. But quickly after her arrival, people are found dead in the city, their hearts ripped off. Wang’s wife Peirong (Zhao Wei) suspects Xiao Wei, but the latter has won everyone over with a kindness. When Wang’s brother Pang Yong (Donnie Yen) comes back from a two-year absence, Peirong begs him to investigate the matter, which he does, with the help of Xia Bin (Sun Li), a young woman pretending to be a “demon-buster”. Adapted from Pu Songling’s short stories in Strange Stories from a Chinese Studio, Gordon Chan’s Painted Skin was a big hit in Asia, as well as Hong Kong’s submission for the Foreign Language Film Oscar in 2008. But this latter bidd for worlwide recognition fell flat, and understandably so : Gordon Chan’s film is a ghost story, but one that follows conventions quite alien to western ones.

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THE LEGEND OF SPEED (1999) review

In the years following the 1997 retrocession of Hong Kong, when there were concerns over the fate of the Hong Kong film industry, one artistic collaboration was a beacon of hope, churning out nearly two films every year, most of them big hits : director Andrew Lau and actor/singer Ekin Cheng. Hot off the considerable success of Storm Riders and A Man Called Hero, they again collaborated on The Legend of Speed in 1999. It is surprising to see how similar The Legend of Speed is to the Fast & Furious films, and at the same time to note that Andrew Lau’s film actually pre-dates Rob Cohen’s first installment of the famous street-racing franchise. So this is not a case of Hong Kong cinema ripping off Hollywood successes. But the basic ingredients are the same : bad boys going toe to toe in street races, surrounded by hot babes. The main difference would be that there is no criminal dimension in The Legend of Speed ; it is more of a genuine sports film.

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LEGENDARY ASSASSIN (2008) review

  With Jackie Chan, Jet Li and Donnie Yen approaching their fifties or even sixties, and looking to extend their acting ability as a way of staying relevant (which all three did superbly), the world of movie martial arts has been in dire need of a new beacon. For a while it looked like Tony Jaa was the heir apparent, with films like Ong Bak 1 & 2 and Tom Yum Goong displaying his amazing abilities. But his output has been both surprisingly sparse and strangely compromised by shady ties with the Thaï mob. But one other name deserves mention, that of Jacky Wu Jing. Wu was spotted in the mid-90’s by the great Yuen Woo Ping, but apart from two minor films, he didn’t do much in that decade to get himself known. But at the beginning of the noughties, he started cropping up in a variety of supporting roles where he more often than not played the “silent but deadly henchman with a strange hairstyle”. Films such as Wilson Yip’s S.P.L. (where his alley fight against Donnie Yen became an instant classic), Benny Chan’s Invisible Target and Dennis Law’s Fatal Move firmly put him on the map, but in order to really leave a mark, he would have to become a leading man, and Legendary Assassin was in 2008 his second attempt at that (the first one being Dennis Law’s Fatal Contact in 2006).

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ROYAL WARRIORS (aka IN THE LINE OF DUTY 2) (1986) review

Royal Warriors, also known as In The Line Of Duty, was at the time Michelle Yeoh’s second fully-fledged film role (after bit parts in two Sammo Hung films) ; the first one had been Yes Madam!, where she had more of a supporting role next to Cynthia Rothrock, but had one or two big fight scenes. So it’s safe to say Royal Warriors, where Yeoh has top-billing, was the real introduction to her talent(s). Directed by David Chung (who would direct Yeoh once again the following year in Magnificent Warriors), Royal Warriors is about a cop (Yeoh), an Japanese ex-cop (Hiroyuki Sanada) and an air security agent (Michael Wong) who together foil the hijacking of a plane, by killing the two persons who attempted it. As a result, two blood brothers of the killed hijackers swear revenge on the ‘heroic trio’. The plot is fairly simple, but the film does a number of things much better than a lot of Hong Kong action films of the time (like Tiger Cage 2, for instance).

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