By 1995, old-school, down-and-dirty Hong Kong action cinema was a dying trend, largely exiled to Taiwan and the Philippines, where most of its stars languished in cheap productions leagues below what they deserved – among them was the great Yukari Oshima. A Taiwanese production, Yiu Tin Hung’s Drug Fighters is far from the worst that dark age of action cinema yielded, but also a far cry from the heights of the genre. Oshima (in a truly hideous wardrobe of garish tracksuits) plays a cop assigned to a new drug-busting police unit (alongside Lam Wai and Chui Siu Kin), tasked with bringing down a drug trafficker (Yuen Wah) who smuggles drugs through shipments of antiques. The film starts with a jolt, a fairly exciting shootout aboard a train, as prisoner Ken Lo is extracted by his blood brother Alan Chui (also the action director). Then it becomes an incredibly limp affair, unfolding in drab industrial landscapes and juggling a variety of snooze-inducing subplots, most of which main attraction Oshima is absent from. Playing her husband, Collin Chou pops up from time to time for painful scenes of romantic banter, while Yuen Wah mostly glowers charismatically a few dozen seconds at a time. Martial arts action is served in the last ten minutes, and it’s too little, too late: Oshima and Yuen do have a short but over-the-top fight that’s quite exciting, but not worth eighty minutes of stabbing yourself with a toothpick to stay awake. *1/2
All posts tagged collin chou
DRUG FIGHTERS (1995) short review
Posted by LP Hugo on March 22, 2020
https://asianfilmstrike.com/2020/03/22/drug-fighters-1995-short-review/
SUPER BODYGUARD (aka THE BODYGUARD, aka IRON PROTECTOR) (2016) review
Brazenly declaring itself “the best martial arts film in the past 20 years”, the very same claim made by the director’s previous film, The King of the Streets, Yue Song’s Super Bodyguard follows Wu (Yue), a mysterious rambler who, having just arrived in the city of Lengcheng, both saves the life of wealthy businessman Li and reunites with his long lost friend Jiang (Shi Yanneng), who was raised by the same master but left for the city years ago, jealous and angry at not being taught the same ‘Way of the 108 Kicks’ as Wu. Now Jiang is the owner of a bodyguard agency, and he assigns Wu to protect Feifei (Li Yufei), the daughter of businessman Li. A spoiled brat, she’s initially reluctant to be followed around by the uncouth Wu, who wears 25-pound steel boots and thinks a wine’s vintage is its expiration date. But after he saves her from a kidnapping attempt, she warms to him and as the two go in hiding, feelings develop. Yet Wu’s past haunts him, and Jiang’s anger is still alive…
Posted by LP Hugo on August 24, 2016
https://asianfilmstrike.com/2016/08/24/super-bodyguard-aka-the-bodyguard-2016-review/
AMEERA (2014) short review
Where to begin with a film like Xiao Xu’s Ameera. Or rather, how to end as quickly as possible. A deadening excuse for ogling would-be starlet Patricia Hu (whose only other notable film is the equally numbing Angel Warriors) as she essays an array of slinky “secret agent” outfits to fight a stock evil organization (headed by Andrew Lin and a cartoonish old cripple with hooks for hands) for which she finds out her boyfriend (Ambrose Hsu) is a double-agent. Along the way there’s talk of such things as “a micro laser device condensed from synthesized nanometers”, which wouldn’t be such a bad thing if the film didn’t take itself so very seriously, no mean feat considering it consists in eye-gouging CGI, fussy, weightless fights and endless moping sessions. Adding insult to injury, the film’s soundtrack is actually a collage of tracks from other, far more entertaining and satisfying films (music from the Bourne trilogy, The Expendables and Tony Scott’s Déjà Vu is heard repeatedly), and there are fleeting cameos by estimable martial arts actors Collin Chou and Leung Kar Yan, who could have alleviated the awfulness had they had more screen-time. 1/2*
Posted by LP Hugo on July 12, 2015
https://asianfilmstrike.com/2015/07/12/ameera-2014-short-review/
LICENCE TO STEAL (1990) short review
In Billy Chan’s Licence to Steal, a cat burglar (Joyce Godenzi) is betrayed by her partner (Agnes Aurelio) and sent to prison for three years. Upon her release, she aims to get revenge on the double-crosser, and teams up with a dogged cop (Richard Ng), his young partner (Collin Chou) and his idealistic, slightly unhinged nephew (Yuen Biao). Licence to Steal avoids the numbing effect of overabundant action, as well as the annoyance of crass humor. It is often, as so many films of that time and place, too scattershot in its progression to really engage, but the cast is uniformly appealing, from the always classy and charismatic Joyce Godenzi to Yuen Biao playing a variation on his irresistible Dragons Forever role, not to mention the always funny and reliable Richard Ng. The fights, as choreographed by Corey Yuen, are brisk and delightful, if often frustratingly short : there’s a one-minute, dizzying bout between Yuen and Chou, that should have gone on at least four more minutes. And the same year as their savage, thundering fight in She Shoots Straight, Godenzi and Aurelio get a re-match in a masterful, stealthy fight in a warehouse, where they go at each other while avoiding being seen or heard by patrolling guards. A very pleasant action comedy. ***
Posted by LP Hugo on April 5, 2015
https://asianfilmstrike.com/2015/04/05/licence-to-steal-1990-short-review/
ANGEL WARRIORS (2013) review
A stunningly atrocious concoction from the brilliant mind who gave us Kung Fu Hip-hop, Angel Warriors is unfortunately less laugh-out-loud ridiculous than its plot synopsis might lead you to expect. Our heroes, as an ugly anime introduction makes it clear, are a group of five stunning women, all modern adventurers thirsting for new experiences : one is a company CEO (Yu Nan), one is an archeologist/polyglot, one is a wildlife protectionist, one is a dancer and a martial artist, and the last one is, we kid you not, the owner of an online shop for outdoors clothing. Real screenwriting gold right there. Their latest adventure is a trek inside the Kana Jungle, home of the Tiger tribe. Their guide is Sen (Shi Yanneng) a member of that tribe who doubles as the pidgin-English narrator of the film, bragging about how he’s going to marry soon and bringing the audience up to date anytime it is unclear what’s happening onscreen (that is, quite often). Also joining the girls are Wang (Collin Chou), a military friend of Yu Nan’s late brother, and a National Geographic team headed by Dennis (Andy On). But soon it transpires that it is not actually a National Geographic team, but a mercenary outfit on a search for the Tiger tribe’s precious jewels. All hell breaks loose as the girls and the mercenaries part ways and are both hunted down by the tribe.
Posted by LP Hugo on October 20, 2014
https://asianfilmstrike.com/2014/10/20/angel-warriors-2013-review/
BADGES OF FURY (2013) review
With Jackie Chan celebrating his filmography’s milestones by adding new installments to his most successful franchises, and Donnie Yen getting busier than ever on a variety of action-heavy projects, it’s puzzling to see the wildly different turn Jet Li’s career has taken. Choosing, admirably, to focus on his charity (The One Foundation) and his Tai Chi promotion (Taiji Zen), he has been content for a few years now to appear as a benevolent supporting actor (though always top billed) in films that woefully underuse him both as an actor and as a martial artist. Badges of Fury unfortunately continues that disappointing trend. The real lead here is Wen Zhang, as a cocky young cop who, paired with veteran Jet Li and under the supervision of superior officer Michelle Chen, investigates on a series of murders in which the victims all die with a smile on their face. They cross paths with a stuttering insurance agent (Wu Jing), a whimiscal mob boss (Leung Kar Yan), a Men In Black type supercop (Huang Xiaoming), and many other cameoing stars, but the murders all trace back to an actress who has dated all of the victims (Liu Yan), and her sister (Cecilia Liu) who has made a habit out of stealing her boyfriends.
Posted by LP Hugo on October 22, 2013
https://asianfilmstrike.com/2013/10/22/badges-of-fury-2013-review/
KUNG FU WING CHUN (2010) short review
Unfortunately more notable for the tragic death of its star Bai Jing than for anything to be found in it, this martial arts comedy by Tung Cho Joe Cheung features more inane comedy than interesting fighting, a shame given its title. Just like Yuen Woo-Ping’s 1994 film Wing Chun (starring the soon-to-be-reunited triumvirate of Yuen, Michelle Yeoh and Donnie Yen), it plays fast and loose with the already fast and loose origins of Wing Chun kung fu, a fighting style recently kicked into a full-blown trend by Yen’s Ip Man films. The historically baseless story of Wing Chun is that it was taught by buddhist nun Ng Mui to a young girl called Wing Chun, whose only way out of a loveless wedding to a rich kid was defeating him in a fight. Kung Fu Wing Chun more or less sticks to the legend, coating it in some uninspired comedy and akwardly choreographed fights, all very fake looking due to a stuffy studio aesthetic and cheap-looking green-screen work. The late Bai Jing is endearing but no Michelle Yeoh, being a bit short in the charisma department and quite often obviously doubled. Brief relief from mediocrity comes in the form of some illustrious supporting actors, among which Kara Hui as Ng Mui, Collin Chou as the villain of the piece, and the Yuen Wah/Yuen Qiu couple from Kung Fu Hustle. *1/2
Posted by LP Hugo on July 3, 2013
https://asianfilmstrike.com/2013/07/03/kung-fu-wing-chun-2010-short-review/
RED WOLF (1995) review
It’s no secret the success of John McTiernan’s Die Hard led to all kinds of rip-offs, good and bad, throughout the nineties, but here is an example of the formula “man in the wrong place at the wrong moment foils bad guys in a circumscribed space” that actually hails from Hong Kong : Red Wolf, directed by martial arts supremo Yuen Woo-Ping in 1995. It stars Kenny Ho in the John McClane role of a head of security on a cruise ship who has to fight a crew of terrorists who have taken advantage of the New Year’s Eve celebrations to hijack the boat, aboard which there is a large quantity of uranium that they aim to steal.
Posted by LP Hugo on June 23, 2012
https://asianfilmstrike.com/2012/06/23/red-wolf-1995-review/
MURAL (2011) review
After the huge success that was Painted Skin in 2008, Gordon Chan was back in 2011 with another fantasy film, which was financially almost as successful as his 2008 effort, though critically much less lauded. Deng Chao stars as Zhu, a scholar on his way to the capital with his servant Hou Xia (Bao Bei’er), to pass an exam. After an altercation with a robber, Meng Longtan (Collin Chou), they end up in a Taoist temple where they are welcomed by an affable monk (Eric Tsang). There, Zhu notices a mural depicting beautiful women in a heavenly landscape. When one of the beauties (Zheng Shuang) materializes in front of him, he follows her through a portal that leads to the heavenly landscape of the mural, which is peopled only with beautiful women, and ruled by a ruthless queen (Ni Yan), her trusted second-in-command Shaoyao (Betty Sun) and a mysterious golden warrior (Andy On). Soon, Hou Xia and Meng Longtan and dragged into this world as well, but Zhu has only one goal: to rescue Mudan, the woman who led him to this world and who has been cast to hell by the queen for it.
Posted by LP Hugo on March 27, 2012
https://asianfilmstrike.com/2012/03/27/mural-2011-review/