CONCUBINE OF SHANGHAI (aka LORD OF SHANGHAI II) (2020) review

p2618059405In 2017, Sherwood Hu released part one of a diptych based on a 2003 novel by Hong Ying: Lord of Shanghai. The concurrently-shot second part, Concubine of Shanghai, was to be released a few weeks later, but Lord‘s box office flop led to a delay of more than three years, with Concubine debuting straight on VOD in late 2020. Lord of Shanghai was a clumsy, occasionally shoddy gangster epic, kept afloat by the charisma of esteemed actors like Hu Jun and Yu Nan, but hurtling through event, as if existing just to set up its epic conclusion. Concubine of Shanghai, sadly, only compounds the flaws of its opener. It picks up ten years later: Xiao Yuegui (Yu Nan), is now the powerful concubine of powerful Shanghai mobster Yu Qiyang (Rhydian Vaughan) after having loved two previous generation of Shanghai lords, Chang Lixiong (Hu Jun) and Huang Peiyu (Qin Hao). Now, she welcomes her estranged daughter Lili (Amber Kuo) back to Shanghai, but the young woman, dreaming of movie stardom, gets involved with a director (Duan Bowen) who may not be what he seems.

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SKY ON FIRE (2016) review

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2015’s Wild City, which marked the end of Ringo Lam’s twelve-year hiatus from directing feature films, was an unremarkable but solid and heartfelt crime thriller, which while nowhere near the artistic heights of the Hong Kong director’s career, was especially heartening when thought of as a lead up to more ambitious films. A bit over a year later (a half-second when compared to that twelve-year wait), Sky on Fire is indeed more ambitious in terms of themes and spectacle, but it’s also oddly underwhelming. Five years ago, Dr. Pan, a scientist who was making major advances in cancer research, died in a possibly criminal fire while he was working in his lab. Now, her protégé Dr. Gao (Zhang Jingchu) and her husband Dr. Tong (Fan Guangyao), under the banner of their pharmaceutical company Sky One, have used his notes to discover a revolutionary cancer-curing medicine, X-stem cells. But the truck carrying the first of these curative cells is hijacked both by the son of Dr. Pan, Ziwan (Zhang Ruoyun), and by Jia (Joseph Chang), a man desperate to save his cancer-stricken sister Jen (Amber Kuo). Caught in the crossfire is Chong (Daniel Wu), the head of security for Sky One, who must take sides as hidden agendas are revealed.

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PARIS HOLIDAY (2015) review

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A film for people who think there’s nothing more romantic than cycling in front of the Eiffel Tower, James Yuen’s Paris Holiday (which briefly shot not 100 meters from where yours truly lives) stars Louis Koo as Chun-Kit, a late professional bloomer who arrives in Paris to manage a wine label for a wealthy Hong Kong businessman (Anthony Chan). There, fellow expatriate Michael (Alex Fong) sets him up in a flat share with Xiao-Min (Amber Kuo) an art students who’s still a human wreck from being dumped by the man she thought was her soulmate. In order not too have her feel threatened by a man’s presence, Michael asks Chun-Kit to pretend he’s gay. The cohabitation gets off to a disastrous start, as Chun-Kit has to deal with Xiao-Min’s erratic hygiene and behavior; but after nearly leaving, he decides to stay and help her get back on her feet. A tall order, but he’s just rebounded from a painful break-up himself, and the two soon find themselves in a strange place between love and friendship.

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