In Liu Xiao and Qin Pengfei’s highly amusing straight-to-VOD actioner Run Amuck, a successful Virtual Reality shooting game called ‘Run for your Life’ gathers dozens of contestants for a highly-publicized final game with a winning prize of 10-million RMB, under the purview of the game’s instuctor, the ‘AK Queen’ (Clara Lee). Among the competing players are Baolong (Fang Yan), the cocky number one player, known for his ‘sultry’ victory dances, but also Shen Yue, aka “The Sniper Queen” (Zhang Haoyue), his usual runner-up. Run Amuck was probably shot concurrently to Wen Zhang’s Fat Buddies, as it shares its action director (Qin Pengfei), three cast members (Clara Lee, Zhang Menglu and Jackie Li), and a key desert shooting location with the aforementioned fat-suit comedy. Regardless of this truly fascinating filmmaking tidbit, it’s a fine slice of menatally-challenged, unassuming fun, full of amusing lapses in logic (it takes places in a virtual reality but once in the game the players still need a plane to get to the location of the competition, with one character fearing the parachute drop, even though it’s unreal), effective comic relief (Jackie Li and Zhao Yan are quite fun as a pair of bickering presenters who come to blows on a regular basis), and surprisingly solid – though budget-constrained – action scenes. Overtly comical music often sullies scenes, as do misguided attempts at actual emotion, but there’s enough dimensions to each of the generously-cleavaged characters (each one having a different, real life-based reason to join the game), that there’s the minimum requirement in dramatic tension on top of the desert-set tank-and-snipers action. Living-Goddess statue Clara Lee merely bookends the film, but it’s Zhang Menglu, who after her formidable turn in Fat Buddies steals the show here as a coke-sipping clutz. A sequel is generously set up, a low-stakes yet not unwelcome prospect. **1/2
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RUN AMUCK (2019) short review
Posted by LP Hugo on May 13, 2020
https://asianfilmstrike.com/2020/05/13/run-amuck-2020-short-review/
BODIES AT REST (2019) short review
Renny Harlin’s career second wind in China continues: after the success of the passable Jackie Chan vehicle Skiptrace, and the costly flop of the fantasy clunker Legend of the Ancient Sword, here comes Bodies at Rest, in which a Hong Kong public morgue is invaded on Christmas eve by three masked and armed criminals (Richie Jen, Carlos Chan and Feng Jiayi). They are trying to retrieve a incriminating bullet from the body of a woman (the striking Clara Lee, only glimpsed in flashbacks), but Nick Chan (Nick Cheung), the forensic pathologist on duty, and his Mainland intern Lynn Qiao (Yang Zi) are determined not to let them have their way. This is the kind of film that Hollywood churned out relentlessly in the nineties (Renny Harlin’s heyday, of course): a sub-Die Hard game of cat-and-mouse pitting a resourceful everyman against ruthless criminals in a closed location. There’s even references to John McTiernan’s seminal actioner (of which Harlin directed the sequel, of course): bare body parts on broken glass, air duct escape… It’s a brisk and reasonably entertaining 90 minutes, bolstered by charismatic turns from Nick Cheung (not stretching in any way), Richie Jen (playing efficiently against type) and Yang Zi (more than holding her own next to the two veterans), some welcome flashes of dark humor, and brutal, gripping fight scenes. Yet the film runs of out steam in the final twenty minutes, weighted with too many twists, turns and reversals for such a thin plot and characters, as well as a rote ending. **1/2
Posted by LP Hugo on October 2, 2019
https://asianfilmstrike.com/2019/10/02/bodies-at-rest-2019-short-review/
FAT BUDDIES (2018) review
After starring in Wen Zhang’s directing debut, the passable romantic comedy When Larry met Mary, Bao Bei’er co-stars with Wen in his own directing debut, Fat Buddies, which – much like the former film – did solid but unremarkable business at the Chinese box-office. Coincidentally, it is one of two Japan-set fatsuit action comedies produced the same year in China, the other being Donnie Yen and Wong Jing’s Enter the Fat Dragon. Bao plays Hao Jingyun (an amusing game on words that sounds like he’s saying “Hello, handsome” every time he states his name to someone), a security guard at a Tokyo hospital who, having been obese most of his life, has learned to roll with the constant jokes about his weight, and at least has the love of his unfathomably attractive wife (Clara Lee). One day, Hao meets someone even fatter: J (Wen Zhang), a 150 kg reluctant patient of the hospital who says he’s on a mission to stop a drug kingpin masquerading as a philanthropist (Guo Jingfei). Sensing a kinship, Hao decides to follow J on his mission, despite the latter’s insistence on going it alone.
Posted by LP Hugo on October 28, 2018
https://asianfilmstrike.com/2018/10/28/fat-buddies-2018/
LINE WALKER (2016) review
The spin-off from a highly-successful TVB series of the same title, with only Charmaine Sheh and Hui Shiu Hung’s characters carried over from small to big screen, Jazz Boon’s Line Walker is a riotously enjoyable actioner that merges Infernal Affairs‘ undercover twists, some over-top action scenes from Benny Chan’s playbook, and goofy comedy out of Wong Jing’s less tasteless offerings (Wong is a producer here). The fictional CIB department of police is trying to dismantle a powerful crime organization, but all of its undercovers have been killed after their identities were leaked. Inspector Q (Francis Ng) and his colleague and girlfriend agent Ding (Charmaine Sheh) are contacted by a missing undercover agent known as Blackjack, who may or may not be Shiu (Louis Koo), the right hand man of a fast-rising figure of the crime organization, Blue (Nick Cheung), whose life he once saved.
Posted by LP Hugo on December 17, 2016
https://asianfilmstrike.com/2016/12/17/line-walker-2016-review/