THE INVINCIBLE DRAGON (2019) review

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After making a strong impression in 2015 with scene-stealing turns in Soi Cheang’s SPL2: A Time for Consequences and Wilson Yip’s Ip Man 3, Max Zhang seemed destined to be the next big thing in Chinese-Hong Kong action cinema, and was showered with lead roles in solid mid-range productions. Now, four years later, his career has sadly not gained much traction: the action thriller The Brink was a flop, and so was the drama Dealer/Healer, in which he displayed fine dramatic chops. The Ip Man spin-off Master Z did respectable business and is getting a sequel, but its critical and box-office impact is a mere fraction of that of the Donnie Yen franchise from which it’s derived. His supporting roles in Hollywood sequels Pacific Rim: Uprising and Escape Plan: The Extractors have gone by unnoticed, and now comes Fruit Chan’s The Invincible Dragon, which died a quick death upon its Chinese and Hong Kong release. In an unfortunate one-two punch, it may go towards putting an end both to Zhang’s shot at the big time (for the time being at least), and to Fruit Chan’s commercial ambitions, following the failure of his previous China-ready mainstream venture Kill Time.

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