THE VANISHED MURDERER (2015) review

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After 2012’s stylish and entertaining – and much less derivative than it’s been made out to be –  The Bullet Vanishes, Lau Ching Wan’s inspector Song Donglu (Lau Ching Wan) is back, his adventures still written by Yeung Sin Ling, produced by Derek Yee and directed by Law Chi Leung. This time, Song investigates a series of strange suicides: factory workers throwing themselves from atop buildings, to protest their exploitative employer, corrupt businessman Gao Minxiong (Guo Xiaodong). Song surmises that they’ve been ‘forced’ to commit suicide, and has reasons to think that Fu Yuan (Jiang Yiyan), a woman whom he brought to justice after she almost got away with murdering her abusive husband, and who counseled him from her prison cell in The Bullet Vanishes, may have something to do with what’s happening. Indeed, she recently escaped from prison, and it was to bring her back there that Song was in town. Other suspects include Hua (Lam Ka Tung), a professor with a morphine addiction who has been in contact with Fu Yuan and shares her appetite for criminology, and Mao Jin (Rydhian Vaughan), who may or may not be a dirty cop. As the plot thickens, Song can count on the help of Chang Sheng (Li Xiaolu), a woman he left at the altar years ago, and who’s sticking with him, hoping to get closure.

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INNER SENSES (2002) review

The worldwide triumph of The Sixth Sense in 1999 led to a wave of horror films from everywhere, trying to be as narratively clever, emotionally grounded and atmospherically potent as M. Night Shyamalan’s masterpiece. Of course, Hong Kong tried its hand at it, but while its most famous outing in this genre was undoubtebly The Pang brothers’ The Eye in 2002, Law Chi Leung’s Inner Senses pre-dates it by a few months and beats it by a few notches in quality. It has the tragic distinction of being superstar Leslie Cheung’s last film before his suicide in 2002, aged only 46. The suicide note he left pointed towards some kind of long-lasting, hidden sense of despair, which happens to find an eerie echo in film’s plot.

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