EUROPE RAIDERS (2018) review

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13 years isn’t such a long time for a sequel to arrive, considering Rambo came back after 19 years, Blade Runner after 25 years, and Mad Max after 29. Yet 13 years feels like eons for the sequel to such fluff as Tokyo Raiders and Seoul Raiders to turn up. Not in terms of anticipation, mind you. Tokyo and Seoul were mildly entertaining but quite unmemorable, and haven’t really aged well. Still, they benefitted from attractive casts gathered around the considerable charm of Tony Leung Chiu Wai. Surprisingly, Leung returns for Europe Raiders, despite having become more rare in recent years – perhaps Wong Kar Wai’s role as a producer helped a bit, or perhaps he just wants to have fun: after all, he also appeared in Monster Hunt 2 this year.

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FIST POWER (2000) review

Shot on the cheap and in less than a fortnight by the exact same team responsible for the dubious Body Weapon one year earlier (director Aman Chang, producer Wong Jing and star Vincent Zhao mainly), Fist Power is a small, harmless action film about Chau, a Hong Kong policeman (Anthony Wong Chau Sang) who holds an entire school hostage in a desperate attempt to reclaim custody of his son. It’s left to Chiu, a Mainland security expert (Vincent Zhao) whose nephew is in said school, to find the son and bring it to Chau before he blows up the place.

Narratively, Fist Power is pretty straightforward : after half-an-hour spent setting things up, the film becomes a basic race against the clock for its remaining hour. The only obstacle Chiu meets in his quest to bring Chau’s son to him are thugs at the service of Chau’s estranged wife, and so the film is always alternating between our hero running from a point A to a point B, and scenes of our hero beating up some anonymous thugs. All that being interspersed with scenes of Sam Lee trying to provide comic relief, and as usual, alienating the audience in the process. That would be fine if the director were able to ramp up the tension, but instead he seems more interested in throwing every cheap, direct-to-video-reeking editing trick at the spectator, undermining not only the film’s already flimsy suspense, but also its numerous action scenes. This is all the more annoying as Fist Power has a lot of talent in front of the camera.

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