THE VICTIMS’ GAME (2020) TV review

p2593495547The second Mandarin-speaking original Netflix series (after Nowhere Man, already starring Joseph Chang), Chuang Hsuan Wei and Allen Chen’s The Victims’ Game is based on the 2015 novel The Fourth Victim, written by Liang Shuting and Xu Ruilang. Unfolding in eight episodes, it follows Fang Yi Jen (Joseph Chang), a forensic detective with Asperger’s syndrome, who’s brilliant yet shunned by his colleague for his antisocial behavior. His dour life is turned upside down when he discovers that his long-estranged daughter may be behind a series of murders, all looking like suicide. Fang teams up with driven journalist Hsu Hai Yin (Tiffany Hsu), and soon finds out that none of these murders are what they seem.

(more…)

THE DEVOTION OF SUSPECT X (2017) review

104113.18518464_1000X1000After a 2008 Japanese adaptation, a 2012 Korean adaptation, and before a planned American adaptation, comes the Chinese adaptation of Keigo Igashino’s crime novel The Devotion of Suspect X, directed by actor/singer and second-time director Alec Su. This will be a review of the film as an independent piece of work; for insight on how it compares to both the source novel and the previous adaptations, head to Maggie Lee’s review.

(more…)

THE PRECIPICE GAME (2016) review

092530.40416745_1000X1000

Mainland Chinese horror consists mainly of ghost stories that end with rational twists in order to avoid the SARFT‘s censorship of supernatural elements, which makes Wang Zao’s The Precipice Game an exception: it’s a straightforward slasher with Saw overtones, and no fake ghosts in sight. It stars Ruby Lin as Chen Chen, a surgeon whose wealthy mother (Wang Ji) is a control freak who disapproves of most of her relationships. One day her current boyfriend Chuan (Kingscar Jin) offers to take her on a treasure-hunt aboard a massive cruise ship, with only a select few other players (Peter Ho, Gai Yuexi, Li Lin and Li Shangyi). Things start off weird, with an oddly elaborate game of life-sized but harmless Russian roulette, before taking a turn for the horrific, as players are killed one by one in a series of inventively sadistic traps.

(more…)

PHANTOM OF THE THEATRE (2016) review

094322.47641790_1000X1000

With Phantom of the Theatre, director Raymond Yip continues his recent streak of horror films that also includes Blood-Stained Shoes (2012), The House that Never Dies (2014) and Tales of Mystery (2015). Set in Shanghai during the 1930s, it unfolds in and around an abandoned theatre that is said to be haunted by the ghosts of an acrobatic troupe that was killed in a fire 13 years before. In comes Gu Weibang (Tony Yang) a young film director with plans to shoot a romantic ghost story in this very theatre; after a chance encounter with up-and-coming actress Meng Sifan (Ruby Lin), he offers her the lead role in his film and she accepts. But on the very first day of shooting in the theatre, the film’s lead actor dies horribly, mysteriously burnt from inside. Soon, one of the film’s investors meets the same fate, just as a strange cloaked figure is seen stalking the playhouse’s corridors. Despite all this, Gu Weibang – who has replaced the lead actor and is developing requited feelings for his co-star – keeps shooting his film, under the disapproving eye of his father, warlord Gu Mingshan (Simon Yam).

(more…)