SKYFIRE (2019) review

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After Renny Harlin, it’s time for Simon West, another purveyor of 1990s and 2000s Hollywood blockbusters, to catch a second or third wind in China – after this, West directed The Legend Hunters, an upcoming Mojin adaptation. Skyfire is set on Tianhu, a volcanic island off the coast of China. Twenty years ago, vulcanologist Li Wentao (Wang Xueqi) lost his wife during a sudden eruption on Tianhuo; cut to present day, and the island, which is supposedly safe from any eruption for the next 150 years, has been turned into a theme park and resort by Australian businessman Jack Harris (Jason Isaacs). Much to Li’s chagrin, his daughter Xiaomeng (Hannah Quinlivan) is part of scientific team monitoring the volcano thanks to hundreds of sensors buried in the mountain. Certain that an eruption is imminent, Li travels to the island to get his daughter to safety – but it’s already too late: the volcano awakes, and all hell breaks loose.

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TO THE FORE (2015) short review

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Hong Kong’s puzzling submission to the 88th Academy Awards, Dante Lam To The Fore is no less puzzling as part of Dante Lam’s filmography. Sure, one can imagine the director wanting to recapture the success of his other sports film, 2013’s Unbeatable which already starred Eddie Peng, but that film had a cinegenic discipline, MMA, as well as emotion and compelling characters. To The Fore – previously rather hilariously known as Breaking Wind – has biking which is beautiful in tracking shots but quickly boring in close-up, empty melodrama consisting of a routine love-triangle and a checklist of sports-related woes like doping, a superiority complex, or a crippling handicap to overcome, and stock characters. Interesting nuggets, like Eddie Peng’s love-hate  relationship with his mother who abandoned him, and enjoyably bombastic cycling montages (given considerable momentum by ambitious camera-work, seamless stunt-work and Henry Lai’s grand score) are what keep this somewhat rote saga of competing cyclists afloat. It also helps that Eddie Peng (gifted but prideful), Choi Si-won (charismatic rival), Shawn Dou (always overshadowed), Wang Luodan (resilient, love-triangle fodder) and Andrew Lin (reliable coach) all inhabit their formatted characters with conviction. **1/2

EVERYBODY’S FINE (2016) review

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Giuseppe Tornatore’s Stanno Tutti Bene, released to a mostly rapturous reception in 1990 but a bit forgotten nowadays, had already been remade and transposed from Italy to the United States in Kirk Jones’s Everybody’s Fine (2009), and now comes the Chinese remake. But rather than denote a lack of originality, this new version speaks to the universality and strength of the concept: take a revered older actor (here Zhang Guoli taking over from Marcello Mastroianni and Robert De Niro) as a former absentee father who’s now a widower leaving alone in the family house, his four children having scattered across the country and all supposedly thriving in their professional and private lives. When they all cancel their visit for a planned family reunion, the father decides to pack up and go visit each one of them.

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