FURIE (aka HAI PHƯỢNG) (2019) review

MV5BZWY2N2Y3NTEtYjJmZC00ZDYwLTg2NjMtNjhhNzZlNTVlNzIzXkEyXkFqcGdeQXVyMjAzNzkxMDA@._V1_

After roles unworthy of her talents in two major Hollywood blockbusters, David Ayer’s Bright and Rian Johnson The Last Jedi, Veronica Ngo is back to leading woman status in Le Van Kiet’s Furie. She plays Hai Phuong, a former gangster who left Saigon after she became a single mother, and now lives in the countryside where she works as a debt collector, an occupation that marginalises her within the community and makes her daughter Mai (Mai Cat Vi) the target of bullying. One day, Mai is kidnapped by members of a powerful, tentacular organ-trafficking organization. Desperate and unstoppable, Hai Phuong sets off on her trail, which leads her back to Saigon and brings back the ghosts of her former life as a gangster, with only a lone cop (Phan Thanh Nhiên) to help her.

(more…)

Advertisements

CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY (2016) review

Mtime.com

Making a sequel to Ang Lee’s Crouching Tiger, Hidden Dragon always seemed both natural and foolish, audacious and misguided. The 2001 film was adapted from one in a series of novels by Wang Du Lu, thus lending itself naturally to follow-ups; but it was so acclaimed that it made for a tough act to follow. There was then a interesting challenge to shooting a second film, but at the same time the absence of Ang Lee or someone with a similarly strong vision at the helm did not bode well, Yuen Woo Ping having always been hit-and-miss as a director. The film’s production was troubled, its release pattern controversial (it premiered on Netflix in the West, prompting many IMAX chains to refuse to screen it in the US), and its English soundtrack head-scratching. But those factors weren’t in and of themselves indicative of failure, especially with so much talent behind and in front of the camera.

(more…)