ICEMAN: THE TIME TRAVELER (2018) review

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Law Wing Cheong’s Iceman 3D was, at the time, the most ambitious project of Donnie Yen’s rejuvenated career as a leading man; a remake of Clarence Fok’s cult classic The Iceman Cometh, with a hefty – for the Chinese film industry in 2014 – budget of 33 million dollars, it was conceived as a one-off, until a spiraling budget (Hong Kong’s Tsing Ma bridge had to be rebuilt as a set for a quarter of the film’s budget when permission to shoot on the actual one was refused) and the necessity for ever more reshoots led to the decision to release the film as a two-parter. But Iceman 3D had more scatological jokes than fights, and a shoddy grasp of its time-traveling concepts, puzzlingly eschewing the simple, pulpy pleasures of Clarence Fok’s original for something both more ambitious and less thrilling. It underperformed on release, and now four years later comes Iceman; The Time Traveler, with solid journeyman Raymond Yip taking over the helm from Law Wing Cheong.

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ATTRITION (2018) review

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Axe (Steven Seagal) is an ex-special forces who has renounced his violent ways, found the light of Buddha and is now a healer at the border between Thailand and Laos, near a town where everybody speaks Mandarin and, supposedly, the scum of the earth can find safe haven – ‘supposedly’, because this is never really shown. But when a violent crime lord named Qmom (Yu Kang) kidnaps a girl with healing powers with the hope she will cure him of his strange disease (he’s allergic to sunlight), her father begs Axe to rescue her. He reluctantly agrees, and gets his old team back together: Chen Man (Fan Siu Wong), Infidel (Rudy Youngblood), Ying Ying (Kat Ingkarat) and a few others.

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BIG BROTHER (2018) review

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The production partnership of Wong Jing and Donnie Yen cannot be accused of a lack of variety: after the gangster epic Chasing the Dragon, and before the fatsuit comedy Enter the Fat Dragon, here comes the inspirational school drama Big Brother, directed by recent Wong favorite Kam Ka Wai (iGirl, Colour of the Game, Queen of Triads). Yen is Henry Chen, an ex-military who after a traumatic war experience and a period of soul-searching and traveling, turns up at his old secondary school of Tak Chi, now struggling amid funding cuts and real estate scheming, and asks to be a teacher of liberal arts, despite a lack of credentials in the field. The school is direly understaffed and so the principal (Dominic Lam) quickly accepts. But Henry Chen’s students are an unruly bunch, the rejects of the flawed Hong Kong school system, and unwilling to listen to him. The new teacher will have to get their attention, inspire them, and in some cases, rescue them from dangerous situations.

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