INSANITY (2014) review

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David Lee’s second film after the little-seen teen horror thriller Yes, I Can See Dead People, Insanity is produced and co-written by Derek Yee, and tells of Fan (Lau Ching Wan), who became a neurotic shell of a man following the death of his child, and frequently lets out his anger and grief on his wife Wai Ling (Michelle Ye), forbidding her to go out and suspecting her at every turn. Until one night, in a fit of jealous rage, he accidentally kills her by pushing her out of a window. He’s declared insane in court and committed to a psychiatric hospital, where he’s placed under the care of Dr. Chow (Huang Xiaoming) a young and promising doctor who is fast rising to the top of his field, though he’s neglecting his girlfriend Bo Yi (Fiona Sit) in the process. Three years later, Chow vouches for Fan’s release against the advice of his colleague Dr. Lui (Alex Fong), declaring him cured. Life on the outside proves difficult for the former madman, as his former mother-in-law (Paw Hee Ching) keeps harassing him and guilt remains vivid. One night, while attempting to commit suicide, he accidentally kills a homeless junkie. But Dr. Chow, who’s close to becoming hospital director, is determined to safeguard his reputation : if word got out that the patient he vouched for actually killed someone else after being released, the consequences for his career would be dire. And so he covers up the junkie’s death, and things start going from bad to worse.

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LADY OF THE DYNASTY (2015) review

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A troubled project which started pre-production in 2009 with My Sassy Girl director Kwak Jae-Yong at the helm and Fan Bing Bing, John Lone and Wang Leehom as its leads, Lady of the Dynasty finally reached completion and release in 2015, after a series of starts and stops that saw Kwak replaced by Shi Qing (a man whose sole previous credit is as a writer on the 1989 Zhang Yimou thriller Codename Cougar) on the basis of artistic differences, while Leon Lai and Wu Chun stepped in to replace Lone and Wang, respectively ; Zhang Yimou and Tian Zhuangzhuang (director of The Go Master) chimed in as consultants and get co-directing credits. But for a film that spent so much time in the oven and had so many cooks, Lady of the Dynasty turns out oddly half-baked. It focuses on Yang Guifei (Fan Bingbing), one of the “Four Great Beauties of Ancient China” who has already been the subject of many films and TV series, most notably Kenji Mizoguchi’s Princess Yang Kwei-Fei (1955), the 1962 Shaw Brothers film The Magnificent Concubine and the 2007 mini-series Lotus Garden of Tang Dynasty, already starring Fan Bingbing. Chosen by Emperor Xuanzong of the Tang dynasty (Leon Lai) and his concubine Wu (Joan Chen) to marry their son Li Mao (Wu Chun), she then left him to be a Taoist monk, before being chosen by the emperor to become his concubine. Later, when a rebellion broke out, the emperor fled with her but was then asked to execute her as a scapegoat.

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JOURNEY OF THE DOOMED (1985) review

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Cha Chuen Yee’s Journey of the Doomed opens on the image of a setting sun, and ends in the complete destruction of desolate period sets. Fitting bookends to what is actually the last martial arts film produced by the Shaw Brothers Studio before it switched completely to TV production. Movie bootlegging and overwhelming competition from rival studio Golden Harvest had led to diminishing returns in the beginning of the eighties, and the legendary studio, after producing close to a thousand feature films, was cutting its losses and would not return to the big screen before 2009. These facts do not lend Journey of the Doomed any crepuscular dimension however, as it is more akin to the kind of cake your mother would make to empty the fridge before leaving on holidays.

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