All posts tagged derek yee
GUILT BY DESIGN (2019) short review
Posted by LP Hugo on March 10, 2020
https://asianfilmstrike.com/2020/03/10/guilt-by-design-2019-short-review/
A WITNESS OUT OF THE BLUE (2019) review
In Fung Chih Chiang’s A Witness out of the Blue, Louis Koo (now in his sixth film released this year) plays Sean Wong, a career criminal on the run after a jewellery store robbery that left several people dead. Inspector Yip (Philip Keung), whose undercover agent was killed on that day, is especially dogged in his pursuit of Wong, but the case becomes more complicated when the latter’s accomplices start being killed one by one. The only witness of the first murder is a parrot, a clever animal which inspector Lam (Louis Cheung) believes can help him find the killer. Quickly, it becomes doubtful that Wong is the one killing his accomplices; instead, suspicion falls on some of the customers present on the day of the robbery, whose life was forever altered by it: a butcher whose mother died on that day (Patrick Tam), and a security guard (Andy On) whose girlfriend (Fiona Sit) was crippled. But Lam also suspects Yip himself, believing his thirst for vengeance to have gotten the better of him.
Posted by LP Hugo on December 19, 2019
https://asianfilmstrike.com/2019/12/19/a-witness-out-of-the-blue-2019/
KUNG FU MONSTER (2018) review
When a foreign kingdom gifts a rare monster to the Ming Emperor, Ocean (Louis Koo) is put in charge of taming it, but evil eunuch Crane (Alex Fong) has nefarious plans for it. Having grown attached to the beast, and having named it Lucky, Ocean decides to free it, thus becoming a hunted outlaw in the process. When he’s captured by Crane’s second-in-command (Wu Yue), his lover Bingbing (Hayden Kuo) hatches a plan to rescue him, enlisting under false pretenses a couple of hapless swordsmen (Zhou Dongyu and Cheney Chen), two even more hapless bandits (Pan Binlong and Kong Liangshun), a mysterious vagrant (Bao Bei’er), and more.
Posted by LP Hugo on April 5, 2019
https://asianfilmstrike.com/2019/04/05/kung-fu-monster-2018-review/
ABSURD ACCIDENT (2017) review
A feature debut Derek Yee liked so much that he hopped on as an executive producer to help it reach a wider audience, Li Yuhe’s Absurd Accident follows a motel owner (Chen Xixu) who’s sexually impotent and suspects his wife (Gao Ye) of cheating on him. He hires a doctor (Rui Cao) – who’s been treating his impotence and who claims to have mob connections – to find a pro to go and kill his wife. The doctor actually takes the money and goes himself, but nothing unfolds as planned: the wife’s survival instinct, a hapless robber (Lou Yunfei), a cop about to retire (Chen Chunsheng), and a couple on a date (Ren Suxi and Dong Bo) all get in the way of a seemingly simple plan.
Posted by LP Hugo on July 23, 2017
https://asianfilmstrike.com/2017/07/23/absurd-accident-2017/
SWORD MASTER (2016) review
As an actor, Derek Yee had gotten his break playing handsome swordsmen in numerous Shaw Brothers film, including Chu Yuan’s Death Duel (1977). As a director however, he has mostly favored contemporary, urban and often gritty fare. Now in a full circle he offers Sword Master, a remake of Death Duel co-produced and co-written with Tsui Hark, whose early career had seen him help Hong Kong cinema move past the classicism of Shaw Brothers films, but whose recent films have tried to both recapture and update their narrative and technical tenets. This interesting pair-up has yielded a flawed but stimulating film.
Posted by LP Hugo on December 12, 2016
https://asianfilmstrike.com/2016/12/12/sword-master-2016-review/
An Interview with Composer Leon Ko
Leon Ko Sai Tseung’s lineage seemed to predestine him to writing music for stage and film: the son of legendary Hong Kong actress Lucilla You Min – who won ‘Best Leading Actress’ at the first ever Golden Horse Awards – and the grandson of Cantonese Opera artist (and occasional silent film actor) Bak Yuk Tong, his career as a composer of Cantonese musicals has been rich in awards and popular acclaim, with all of his four creations, The Good Person of Szechwan, The Legend of the White Snake, Field of Dreams and The Passage Beyond, having won best score at the Hong Kong Drama Awards. This, in addition to being a driving force in the recent revival of Cantonese Opera and an occasional musical director for Jacky Cheung’s world tours. Ko’s works have travelled as far out of Hong Kong as London’s London’s Stratford East Theatre and New York’s Carnegie Hall.
That’s not even mentioning his career in film scoring, which is the topic of the following interview, and equally successful as his other musical ventures. After only eight film scores – for major directors like Peter Chan, Derek Yee or Dante Lam – Leon Ko is already a Golden Horse Award winner and a two-time Hong Kong Film Award winner, with four additional nominations. You can sample his work for film and stage at his website. You might be struck by Leon Ko’s versatility: there’s a world of difference between the atonal thrills of That Demon Within and the epic whimsy of Monster Hunt, or between the lyrical anguish of Dearest and the old-school playfulness of The Great Magician. Now as busy and in-demand as ever, he nevertheless graciously agreed to answer my questions.
Posted by LP Hugo on May 19, 2016
https://asianfilmstrike.com/2016/05/19/an-interview-with-composer-leon-ko/
INSANITY (2014) review
David Lee’s second film after the little-seen teen horror thriller Yes, I Can See Dead People, Insanity is produced and co-written by Derek Yee, and tells of Fan (Lau Ching Wan), who became a neurotic shell of a man following the death of his child, and frequently lets out his anger and grief on his wife Wai Ling (Michelle Ye), forbidding her to go out and suspecting her at every turn. Until one night, in a fit of jealous rage, he accidentally kills her by pushing her out of a window. He’s declared insane in court and committed to a psychiatric hospital, where he’s placed under the care of Dr. Chow (Huang Xiaoming) a young and promising doctor who is fast rising to the top of his field, though he’s neglecting his girlfriend Bo Yi (Fiona Sit) in the process. Three years later, Chow vouches for Fan’s release against the advice of his colleague Dr. Lui (Alex Fong), declaring him cured. Life on the outside proves difficult for the former madman, as his former mother-in-law (Paw Hee Ching) keeps harassing him and guilt remains vivid. One night, while attempting to commit suicide, he accidentally kills a homeless junkie. But Dr. Chow, who’s close to becoming hospital director, is determined to safeguard his reputation : if word got out that the patient he vouched for actually killed someone else after being released, the consequences for his career would be dire. And so he covers up the junkie’s death, and things start going from bad to worse.
Posted by LP Hugo on September 6, 2015
https://asianfilmstrike.com/2015/09/06/insanity-2014-review/
THE GREAT MAGICIAN (2011) short review
In the Warlord era after the Chinese Revolution, a revolutionary group aims to kill a powerful warlord (Lau Ching Wan) to take a step towards reinstating the republic. Said warlord has imprisoned a woman (Zhou Xun) whom he wants to make his new wife, but can’t bring himself to force into mariage. The arrival of a skilled magician (Tony Leung Chiu Wai) with ties to the revolutionary group and a shared past with the imprisoned woman, marks the start of a game of deceit and illusions. Visually, this is an absolutely stunning movie, gorgeously lit, awash in lush production design, and elegantly directed by Derek Yee in a diversion from his more serious contemporary fare. The magician’s scenic tricks are wonderfully executed with seamless CGI and are a joy to behold. Leung, Lau and Zhou are firmly in their comfort zone and their interaction is one of the film’s pleasures, while fun cameos by Tsui Hark and Daniel Wu (among others) spice up the proceedings. Too bad then that the film is so narratively muddled and rhythmically challenged ; the plot proves too meandering for such a playful concoction, which results in an overlong runtime. Still, an enjoyable piece of classy fluff. ***
Posted by LP Hugo on February 1, 2014
https://asianfilmstrike.com/2014/02/01/the-great-magician-2011-short-review/