MASTER Z: THE IP MAN LEGACY (2018) review

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One of the most memorable characters in the Ip Man franchise, ambitious Wing Chun master Cheung Tin Chi (Max Zhang), gets his own well-deserved spin-off in Yuen Woo Ping’s Master Z: The Ip Man Legacy. After being defeated – behind closed doors – by Ip man at the end of the third installment, the humbled Cheung is now leaving peacefully with his son in Hong Kong, where he owns a small grocery store. His days as a martial arts teacher are over, and so is his side-job as a thug, which doesn’t sit well with his former employer (Yuen Wah). Cheung can’t stay out of trouble for long: after he defends bar hostesses Julia (Liu Yan) and Nana (Chrissie Chau) against a local mobster Tso Sai Kit (Kevin Cheng) and his henchmen, his store is burnt down as retribution. Now homeless and tracked down by a mysterious assassin (Tony Jaa) working for his former employer, Cheung is helped by Fu (Shi Yanneng), the owner of a local bar, for whom he starts working as a waiter. And two dangerous figures loom large over him: mobster Tso Ngan Kwan (Michelle Yeoh), the sister of Tso Sai Kit, and Owen Davidson (Dave Bautista), a restaurant owner and philanthropist who’s also a drug trafficker on the side.

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L STORM (2018) review

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Who could have predicted that David Lam’s modestly-successful financial thriller Z Storm would open the way to a full-blown franchise, yielding four installments in 5 years? In 2016, S Storm doubled its predecessor’s box-office take, before seeing its own financial success doubled by this year’s L Storm. And P Storm will come out in late 2019. Here, Louis Koo is back as William Luk, the handsome ICAC (Independent Commission Against Corruption) agent who looks bored even when he’s chasing a perp down an obstacle-strewn alleyway. Back from S Storm is Lau Po Keung (Julian Cheung) of the JFIU (Joint Financial Intelligence Unit): together, Luk and Lau investigate a money laundering case involving a corrupt customs officer (Michael Tse) and a dangerous criminal mastermind (Patrick Tam). Meanwhile, officer Ching Tak Ming (Kevin Cheng), of the ICAC’s own internal affairs division, has his sights set on Luk, after it is revealed by an informant (Stephy Tang) that he accepted a sizable bribe.

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THE TRADING FLOOR (2018) TV review

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An ambitious mini-series co-produced by FOX, Tencent Penguin and Andy Lau’s Focus Television Group, The Trading Floor was created by Cora Yim and is a rare five-part mini-series in a part of the world where all popular TV dramas count dozens of episodes. It takes place in a fictional version of Hong Kong called Coen City, and follows Anthony Yip (Francis Ng), a former economics teacher turned Secretary of the Minister of Economic Development. Twenty years ago, he created an elite financial team including also Pamela Cheung (Maggie Cheung Ho Yee), Nick Cheuk (Patrick Tam) and Wai Hong (Joseph Chang); but years after working with them to avoid a financial tsunami caused by George Soros in 1997, Yip betrayed his team to obtain more power and a government position. Cheung was killed, Cheuk crippled and Wai exiled to Myanmar. Now having struck an alliance with three financial giants, Eastman Properties, Evergate Construction Materials and Marco Media, in a bid for market manipulation and dominance, Yip calls back Wai from his Burmese exile to help them. But Wai has vengeance on his mind, while Claudia Fang (Yu Nan), an agent from the Securities & Futures Commission, has set her sights on him.

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JUST ANOTHER MARGIN (2014) review

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Jeff Lau’s Just Another Margin is one of those films that are seemingly tailored for Lunar New Year entertainment but don’t quite have the star power or marketing push required to compete in that prized calendar slot, and are thus slipped in a bit before or after on the release schedule. And it did go by relatively unnoticed, which is not all that surprising considering how uninspired it appears in the Jeff Lau canon of costumed mo lei tau. It stars Betty Sun as Jin Ling, a young woman whose magical yueqin (a kind of round guitar) compels people tell to the truth. One day this creates a humiliating situation for Mrs Zhao (Guo Degang), a rich businesswoman who punishes her by arranging her marriage with the town’s hunchback Mao Da-Long (Lam Suet), with whose brother Mao Song (Ekin Cheng) Jin Ling ends up falling in love. That doesn’t sit well with Shi Wen Sheng (Ronald Cheng) Mrs Zhao’s libidinous cousin, who wants the young woman for himself and plots to take the Mao brothers out of the picture. To complicate things, two aliens from planet B16 named Tranzor and Shakespeare (Patrick Tam Yiu-Man and Alex Fong Lik-Sun) arrive in town in search of a long-lost member of their species. They’re not the only aliens around however, as a fearful entity known as the Black Emperor is hiding somewhere.

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TWO THUMBS UP (2015) review

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With Two Thumbs Up, screenwriter Lau Ho Leung makes his directorial debut after writing quite a few prominent Chinese/Hong Kong films for people like Derek Yee, Daniel Lee, Gordon Chan and Dante Lam, among others. It’s a film that commands a lot of upfront goodwill by being part of a dying breed, an all-Hong Kong film not calibrated in any way to appeal to the Mainland, and also by casting a quartet of Hong Kong staples: Simon Yam, Francis Ng, Mark Cheng and Patrick Tam. They play four ex-criminals who decide to come back to their old ways when one of them hatches a plan he thinks is foolproof : steal a Police Emergency Unit van, dress as cops, then rob anyone that comes their way all the more easily, especially a shady funeral service that smuggles money through the border by hiding it in corpses. In the absence of an actual EU van, the plan is put into execution by painting a mini-bus, and soon the four friends are cruising Hong Kong as fake cops. But unexpectedly, they end up fighting for justice : after saving a girl from rape, they run afoul of another team of crooks (who have the same plan of disguising as cops but decidedly more ruthless methods) and decide to stop them. Meanwhile, a young cop (Leo Ku) is hot on their trail.

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