THE TRADING FLOOR (2018) TV review

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An ambitious mini-series co-produced by FOX, Tencent Penguin and Andy Lau’s Focus Television Group, The Trading Floor was created by Cora Yim and is a rare five-part mini-series in a part of the world where all popular TV dramas count dozens of episodes. It takes place in a fictional version of Hong Kong called Coen City, and follows Anthony Yip (Francis Ng), a former economics teacher turned Secretary of the Minister of Economic Development. Twenty years ago, he created an elite financial team including also Pamela Cheung (Maggie Cheung Ho Yee), Nick Cheuk (Patrick Tam) and Wai Hong (Joseph Chang); but years after working with them to avoid a financial tsunami caused by George Soros in 1997, Yip betrayed his team to obtain more power and a government position. Cheung was killed, Cheuk crippled and Wai exiled to Myanmar. Now having struck an alliance with three financial giants, Eastman Properties, Evergate Construction Materials and Marco Media, in a bid for market manipulation and dominance, Yip calls back Wai from his Burmese exile to help them. But Wai has vengeance on his mind, while Claudia Fang (Yu Nan), an agent from the Securities & Futures Commission, has set her sights on him.

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THE BIG CALL (2017) review

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Ding Xiaotian (Cheney Chen) is a young cop who just witnessed his former teacher commit suicide after losing all his money to a phone scam. The case is thus personal, and soon Ding is recruited by Tan Sirong (Eddie Cheung) of the ATFC (Anti-Telecommunication Fraud Centre) to help expose two master fraudsters, Lin Ahai (Joseph Chang) and Liu Lifang (Gwei Lun Mei), who operate a vast fraud network across Southeast Asia, with headquarters and call center in Thailand. ATFC agent Xu Xiaotu (Jiang Mengjie), who’s also Ding’s ex-girlfriend, has infiltrated these headquarters, and as the noose tightens around the fraudsters, suspicion from Liu falls on her.

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BEAUTIFUL ACCIDENT (2017) short review

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Ho Wi Ding’s Beautiful Accident is the latest installment in that subgenre of comedy where a supernatural occurrence or a unique time lapse brings new perspective to the lead character – think Groundhog Day or Miss Granny. Here, Gwei Lun Mei plays Li Yu Ran, a proudly lonely, career-driven lawyer who after a car accident finds herself in the offices of Fate, where she is told that her death was a clerical error and that she will be able to reintegrate her body in a week. But by then, she is to take the place of a recently-deceased mother. With no choice but to accept, Li Yu Ran finds herself catapulted in the life of a housewife, with an overworked husband (Chen Kun), a resentful teenage daughter (Nana Ouyang), and a young son who is the only to sense this is not his real mother. Droll situations ensue, peppered with the dime-store wisdom and rote use of serendipity often displayed in the subgenre, though the film is quite inspired in its depiction of the offices of Fate as a bureaucratic mess peopled with half-competent employees, let by a delightful Wang Jingchun. This is mostly a one-woman show, and as often in her more commercial film, Gwei Lun Mei overacts wildly; it can be jarring at first, but when the film becomes more heartfelt, she actually brings it much-needed subtlety. Chen Kun laudably steps back to a supporting function, though he puzzlingly often seems to be playing his character as slightly mentally retarded. All in all this is an entertaining and visually pleasing, but unmemorable little comedy. **1/2