PHANTOM OF THE THEATRE (2016) review

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With Phantom of the Theatre, director Raymond Yip continues his recent streak of horror films that also includes Blood-Stained Shoes (2012), The House that Never Dies (2014) and Tales of Mystery (2015). Set in Shanghai during the 1930s, it unfolds in and around an abandoned theatre that is said to be haunted by the ghosts of an acrobatic troupe that was killed in a fire 13 years before. In comes Gu Weibang (Tony Yang) a young film director with plans to shoot a romantic ghost story in this very theatre; after a chance encounter with up-and-coming actress Meng Sifan (Ruby Lin), he offers her the lead role in his film and she accepts. But on the very first day of shooting in the theatre, the film’s lead actor dies horribly, mysteriously burnt from inside. Soon, one of the film’s investors meets the same fate, just as a strange cloaked figure is seen stalking the playhouse’s corridors. Despite all this, Gu Weibang – who has replaced the lead actor and is developing requited feelings for his co-star – keeps shooting his film, under the disapproving eye of his father, warlord Gu Mingshan (Simon Yam).

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