LIBERATION (2019) review

143259.52732712_1000X1000Liberation was directed by Li Shaohong and Chang Xiaoyang – the former in charge of the drama and the latter handling the spectacle – to commemorate the end of the Chinese Civil War in 1949. Like most recent Chinese propaganda films, it is packed with action – seemingly gone are the days of stately, talky epics like The Founding of a Republic or Beginning of the Great Revival – yet like most recent historical Mainland propaganda, it was met with general indifference from Chinese audiences, even after its being pulled at the last minute from the opening night of the Pingyao Film Festival drummed up a bit of media drama about it (‘technical issues’ were cited, though our money is the hypothesis that it didn’t placate censors well enough).

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