LIBERATION (2019) review

143259.52732712_1000X1000Liberation was directed by Li Shaohong and Chang Xiaoyang – the former in charge of the drama and the latter handling the spectacle – to commemorate the end of the Chinese Civil War in 1949. Like most recent Chinese propaganda films, it is packed with action – seemingly gone are the days of stately, talky epics like The Founding of a Republic or Beginning of the Great Revival – yet like most recent historical Mainland propaganda, it was met with general indifference from Chinese audiences, even after its being pulled at the last minute from the opening night of the Pingyao Film Festival drummed up a bit of media drama about it (‘technical issues’ were cited, though our money is the hypothesis that it didn’t placate censors well enough).

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LEGEND OF THE NAGA PEARLS (2017) review

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Once upon a time in the mythical city of Uranopolis, an apocalyptic battle opposed humans to the the Winged Tribe; the latter was defeated and gradually went almost extinct. Now Xue Lie (Simon Yam), a royal descendant of the Winged Tribe, wants to avenge his his race and restore its glory: he is searching for the Naga Pearls, magical entities that can open a cataclysmic “eye in the sky” that would eradicate the human race. But Ni Kongkong (Darren Wang), a thief, has chanced upon the Naga Pearls and thus becomes the only one who can stop Xue Lie, with the help of Hei Yu (Crystal Zhang), a constable and descendant of the Winged Tribe, and Ge Li (Sheng Guan Sen), the son of the king of Uranopolis, eager to prove himself to his father.

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BLOOD OF YOUTH (2016) review

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The fourth film of firefighter-turned-director Yang Shupeng, Blood of Youth follows a young hacker named Su Ang (Oho Ou), who anonymously tips off the police about the remains of a woman buried in the woods near the city of Hangzhou. Detective Zhang (Zhang Yi) discovers the victim was beaten to death almost two decades ago, and starts investigating the events that lead to her death. But at the same time Su Ang also warns the police about a bank robbery about to happen, but just as the robbers led by Shen (Zhou Ziwei) are about to enter the bank, he tips them off too about the presence of the police. His agenda is a mystery, but it may be linked to the fact that a brain injury he sustained during his years in an orphanage is slowly killing him according to his doctor, Han Yu (Yu Nan), especially as he’s not taking the medicine that might save him. And his endgame definitely includes Lin Qiao (Guo Shutong), a young cellist whose libidinous orchestra conductor Li (Guo Xiaodong) is none other than Han Yu’s husband.

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BROTHERHOOD OF BLADES (2014) review

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In the year 1627, the Ming dynasty is in its final years as emperor Chongzhen takes over the throne, and in the process expels powerful Chief Eunuch Wei (Chin Shih Chieh) from his position of power. But a large number of court officials are still secretly in the service of the Eunuch, forming the so-called “Clique” that the emperor decides to dismantle. His prime resource in doing that is the “Jinyiwei”, his imperial assassins who are tasked with arresting, getting a confession out of, and/or killing, all presumed members of the Clique. Three Jinyiwei are chosen for the critical mission of finding and killing the Eunuch himself: Shen Lian (Chang Chen), who is in unrequited love with a courtesan (Cecilia Liu) and is saving up to buy her freedom, Lu Jianxing (Wang Qianyuan) who is desperate to meet his father’s standards by getting a promotion and is ready to bribe his way to it, and Jin Yichuan (Ethan Li), who is being blackmailed by a former friend (Zhou Yiwei) who threatens to reveal their criminal past and the fact he stoile a man’s identity to become a Jinyiwei. The fact that their new superior (Nie Yuan) is a pawn of the Eunuch further complicates the matters and soon an intricate web of lies unravels with tragic consequences.

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