THE ROOKIES (2019) review

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More than five years after his promising and successful directing debut Firestorm, screenwriter-turned-director Alan Yuen is back with The Rookies, which died a very quick death at the Chinese box-office, and doesn’t seem destined for much of an international career, despite the presence of Milla Jovovich in a sizable role. It follows Zhao Feng (Darren Wang), a minor social media celebrity who scales skyscrapers live in Hong Kong for his fans’ entertainment. One day, as he’s parachuting down from a building, he unwittingly ends up in the middle of a dangerous transaction, and is mistaken by a shady businessman (Chan Kwok Kwan) as his contact. After managing to wing his way out of this delicate situation, he’s recruited by Bruce (Mille Jovovich), an elite agent from a secret organization called the Order of the Phantom Knighthood.

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A BETTER TOMORROW 2018 (2018) review

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There’s probably no Hong Kong film more seminal and iconic than John Woo’s A Better Tomorrow. Mixing his own richly melodramatic sensibility with his mentor Chang Cheh’s themes of heroic brotherhood, Sam Peckinpah’s throbbing, elegiac brutality and Jean-Pierre Melville’s urban Bushido, Woo brought to life the Heroic Bloodshed genre and its visual grammar of slow-motion, bullet-riddled valor and gut-wrenching montages. He also revitalized Shaw Brothers stalwart Ti Lung’s career, made Leslie Cheung a star, and turned Chow Yun Fat from an affable TV lead to a true film icon. A Better Tomorrow was then milked for an entertaining sequel, a solid prequel, a mediocre Wong Jing re-run (1994’s Return to a Better Tomorrow) and a more recent, passable Korean remake. Announced concurrently to a rival remake to be directed by Stephen Fung (of which nothing has been heard since), Ding Sheng’s A Better Tomorrow 2018 isn’t the first time he tries his hand at an iconic Hong Kong property, and the flawed but interesting Police Story 2013 has shown that the writer/director isn’t one to slavishly regurgitate a franchise’s formula.

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LEGEND OF THE NAGA PEARLS (2017) review

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Once upon a time in the mythical city of Uranopolis, an apocalyptic battle opposed humans to the the Winged Tribe; the latter was defeated and gradually went almost extinct. Now Xue Lie (Simon Yam), a royal descendant of the Winged Tribe, wants to avenge his his race and restore its glory: he is searching for the Naga Pearls, magical entities that can open a cataclysmic “eye in the sky” that would eradicate the human race. But Ni Kongkong (Darren Wang), a thief, has chanced upon the Naga Pearls and thus becomes the only one who can stop Xue Lie, with the help of Hei Yu (Crystal Zhang), a constable and descendant of the Winged Tribe, and Ge Li (Sheng Guan Sen), the son of the king of Uranopolis, eager to prove himself to his father.

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