Posted by LP Hugo on August 27, 2019
https://asianfilmstrike.com/2019/08/27/a-city-called-macau-2019-short-review/
With its title, Lau Shing’s Yes Madam 5 positions itself clumsily as part of a kind of franchise whose first two intallments are also (and mostly) known as In the Line of Duty 2 and 3 (in 1985 and 1987 respectively). Then comes Yes Madam 92: A Serious Shock in 1992, then a Taiwanese Yes Madam in 1995, which brings us one year later to Yes Madam 5. One has to wonder if making this the fifth film in such a vaguely delineated franchise was such a clever move. Of course it doesn’t really matter, as the only connection between most of these films is Cynthia Khan playing a cop (which she did in 90% of her filmography anyway). By 1996 the Girls With Guns genre was quickly dying away, as was Khan’s career : and indeed Yes Madam 5 is a sad sight. Barely sustained by a plot too mundane to dignify with a summary and constantly mired in a horribly dated synth score, it wastes most of its runtime on numbingly procedural scenes and a patience-trying love triangle, all the while botching its few action scenes with shoddy editing that constantly re-uses the same shots of kicks and punches to artificially draw out the fights. The always watchable Cynthia Khan, along with familiar faces like Chin Siu Ho, Philip Ko (who also directs the action), Billy Chow or the steely Sharon Yeung (a wasted talent if there ever was one), help make the whole thing look professional, but in the end the 85 minutes are a chore to get through. *
Posted by LP Hugo on August 31, 2015
https://asianfilmstrike.com/2015/08/31/yes-madam-5-1996-short-review/
Clarence Fok’s They Came to rob Hong Kong concerns a violent bank robber (Roy Cheung) who has to flee to the Mainland after being nearly caught by a tough cop (Kara Hui). There, he recruits a ragtag team of hapless morons (among which Eric Tsang, Stanley Fung, Sandra Ng, Dean Shek and Chin Siu Ho) to come back to Hong Kong and attempt a daring heist. Except they’re hapless morons, so nothing goes according to plan. This film is actually a complete rehash of any Lucky Stars film : even though only Fung and Tsang were actually members of the comedic team, other members of the cast fit the usual Lucky Stars profiles, as Chin Siu Ho brings the martial arts that would’ve been Sammo Hung’s turf, and Dean Shek has the same kind of paranormal pretensions that Richard Ng’s character would display. The structure is also the same : an action-packed opening sequence (in this case an impressive and savage fight and chase scene on cluttered rooftops, as the terrific Kara Hui hunts down Roy Cheung) gives way to a comedic middle-section where, among other subplots, the group is given a beautiful woman to lust after (in this case, Chingmy Yau), after which things are wrapped up in a big action finale. Except while the action bookends are fine, the comedic middle is painfully unfunny and interminable. While Eric Tsang is always hilarious, Sandra Ng’s shtick quickly gets wearisome, and the ensemble simply doesn’t have the Lucky Star’s chemistry. **
Posted by LP Hugo on March 19, 2015
https://asianfilmstrike.com/2015/03/19/they-came-to-rob-hong-kong-1989-short-review/