An Interview with Actor-Stuntman-Director Bruce Fontaine

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Bruce Fontaine was once a Gweilo actor, that is to say one of those Caucasian performers who were hired in Hong Kong’s action cinema heyday to play – often villainous – supporting parts. A high-level practitioner of Wushu, he appeared in some of the most famous films of that time: Operation CondorOnce Upon A Time In ChinaShe Shoots Straight… But when the well of classic Hong Kong action dried up, his career endured, as he took the knowledge acquired from working with the likes of Jackie Chan, Corey Yuen or the Sammo Hung stunt team, and applied it to a career in Canadian stuntwork, quickly rising through the ranks to become a stunt coordinator, including for American Video Game developer Electronic Arts. And yet his main ambition remained unfulfilled: to direct a feature film. In 2015, he kickstarted the third phase of his film career by completing and premiering Beyond Redemption, an action thriller infused with the soul of Hong Kong action cinema.
From martial artist and Hong Kong film fan to Hong Kong film fighter, from stuntman to director, his is a story of wish-fulfillment through hard work and passion. Now in the preparatory stages for his second feature film, Bruce Fontaine was kind enough to answer my questions.

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THEY CAME TO ROB HONG KONG (1989) short review

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Clarence Fok’s They Came to rob Hong Kong concerns a violent bank robber (Roy Cheung) who has to flee to the Mainland after being nearly caught by a tough cop (Kara Hui). There, he recruits a ragtag team of hapless morons (among which Eric Tsang, Stanley Fung, Sandra Ng, Dean Shek and Chin Siu Ho) to come back to Hong Kong and attempt a daring heist. Except they’re hapless morons, so nothing goes according to plan. This film is actually a complete rehash of any Lucky Stars film : even though only Fung and Tsang were actually members of the comedic team, other members of the cast fit the usual Lucky Stars profiles, as Chin Siu Ho brings the martial arts that would’ve been Sammo Hung’s turf, and Dean Shek has the same kind of paranormal pretensions that Richard Ng’s character would display. The structure is also the same : an action-packed opening sequence (in this case an impressive and savage fight and chase scene on cluttered rooftops, as the terrific Kara Hui hunts down Roy Cheung) gives way to a comedic middle-section where, among other subplots, the group is given a beautiful woman to lust after (in this case, Chingmy Yau), after which things are wrapped up in a big action finale. Except while the action bookends are fine, the comedic middle is painfully unfunny and interminable. While Eric Tsang is always hilarious, Sandra Ng’s shtick quickly gets wearisome, and the ensemble simply doesn’t have the Lucky Star’s chemistry. **