DESIRE GAME (2019) review

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Ambitiously, Guo Tao has made science-fiction the genre of his directing debut, Desire Game. In it, he plays Guo Shi, the brilliant creator of the Butterfly, a still-in-development, revolutionary virtual reality system. But when his daughter falls to her death while entranced in the immersive effect of the Butterfly, he withdraws from public life and scientific research, becoming estranged from his wife (Mei Ting) and leaving his partner (Fan Wei) in charge of their company. One day, a young woman (Gai Yuexi) whose car broke down takes shelter at his villa; she then seduces him, only to be found dead in his car a few hours later. Guo Shi understands he’s being framed for murder, and can only rely on the help of his former disciple (Jiang Chao) and a homeless girl (Zhang Zifeng).

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THE BOMBING (aka UNBREAKABLE SPIRIT, aka AIR STRIKE) (2018) review

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Xiao Feng’s The Bombing was reportedly the most expensive Chinese film at the time it was produced. But after extensive reshoots and accusations of financial fraud (part of a wider tax evasion scandal in China that has had Fan Bingbing as its official face), the film is now being released a full three years after production, without much fanfare despite a massive cast and the participation of Mel Gibson – a man who knows a thing or two about making a fine war film – as an artistic consultant. Set in 1939 during the second Sino-Japanese war, it weaves together three main storylines: U.S Air Force commander Jack Johnson (Bruce Willis), who trains Chinese pilots Lei Tao (Nicholas Tse), An Minxun (Song Seung-heon), Cheng Ting (William Chan) and many others to fend off Japanese air raids (of which there were 268 between 1938 and 1943); civilians in Chongqing trying to live a semblance of a life despite the repeated bombings, with a Mahjong competition being organized in a teahouse owned by Uncle Cui (Fan Wei); and former pilot Xue Gangtou (Liu Ye), tasked with taking a truck carrying precious and mysterious crates to a military base, and who on the way picks up a scientist (Wu Gang) carrying two pigs of a leaner, faster-reproducing breed that may be key in fighting the famine, a nurse (Ma Su) bringing orphans to a school, as well as a shady stranger (Geng Le).

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FATHER AND SON (2017) review

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Fan Xiaobing (Da Peng) is a thirty-something aspiring entrepreneur who idolizes Bill Gates and Steve Jobs but never manages to convince investors to back his ideas, and keeps borrowing money from his close ones. He’s a big disappointment to his father Fan Yingxiong (Fan Wei), a retired army commander, and to his longtime friend Liu Wen (Crystal Zhang), who obviously fancies him, but towards whom he has not yet made a single step. Now Xiaobing is in deep trouble, as he has borrowed a hefty sum from a particularly cruel loan shark (Simon Yam), who is sending his goons to collect, including the bumbling Fang Jian (Qiao Shan). Left with little time to gather a hefty sum, Xiaobing decides to send his father on a trip, to then pretend he is dead, organize a fake funeral and collect donations from the family and friends who attend. But the father returns earlier than expected…

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