DESIRE GAME (2019) review

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Ambitiously, Guo Tao has made science-fiction the genre of his directing debut, Desire Game. In it, he plays Guo Shi, the brilliant creator of the Butterfly, a still-in-development, revolutionary virtual reality system. But when his daughter falls to her death while entranced in the immersive effect of the Butterfly, he withdraws from public life and scientific research, becoming estranged from his wife (Mei Ting) and leaving his partner (Fan Wei) in charge of their company. One day, a young woman (Gai Yuexi) whose car broke down takes shelter at his villa; she then seduces him, only to be found dead in his car a few hours later. Guo Shi understands he’s being framed for murder, and can only rely on the help of his former disciple (Jiang Chao) and a homeless girl (Zhang Zifeng).

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DREAM BREAKER (2018) review

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While investigating the mysterious disappearance fifteen years before of her father (Tong Dawei), a pioneer in virtual reality, Jiang Han (Chen Duling) finds herself trapped in Souldream, an illegal and dangerous VR game he designed, where players can fight one another for points which allow them to indulge their desires. There, she’s helped by Nan Ji (Song Weilong), an expert player who is himself on the trail of his uncle (Archie Kao). Directed by Han Yan (not the Han Yan who helmed Go Away Mr Tumor and Animal World, mind you), Dream Breaker benefited from the artistic input of visionary, subversive Japanese filmmaker Sion Sono, though it only shows in a few visions of kooky, gaudy chaos.

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