SAVING MR. WU (2015) review

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In 2004, popular TV actor Wu Ruofu was kidnapped and held for ransom for 21 hours, before being rescued by the police, psychologically traumatized but physically unscathed. Now more than a decade later here he is, co-starring in the story of his ordeal, in the role of one of the cops whose tireless investigation led to his rescue, and with superstar Andy Lau playing him. Wu was offered his own role, but refused to relive the events so directly ; shooting – and watching – the film must have been quite the cathartic experience for him, though he has remained tight-lipped about the whole thing. And so in a tight time-frame of 21 hours, Ding Sheng’s Saving Mr. Wu recounts the kidnapping of movie star Wu (Andy Lau) and everyman Dou (Lu Cai) by cunning and ruthless criminal Zhang (Wang Qianyuan), and the subsequent race against time as the police (headed by Liu Ye and the laterally titular Wu Ruofu) catches the latter and tries to have him give out the whereabouts of his victims before it’s too late: they know the abductees are to be killed whether or not the ransom is paid.

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GOOD-FOR-NOTHING HEROS (2012) short review

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Fu Yong’s Good-For-Nothing Heros (a misspelling that doesn’t seem to be of the ironic “Inglourious Basterds” kind) tells of Peng (Kimi Qiao) and Long (Lam Suet), two amiable losers who find the lost will of a wealthy hotel owner (Kent Cheng), who just fell into a coma. They decide that Peng will pose as the owner’s son and leverage his new-found clout to save their neighborhood from relocation. But one big obstacle in the owner’s associate Danny (Francis Ng), who smells a rat and sends a private eye (Jack Kao) to check on Peng’s background. Beyond the crippling implausibility of the plot, what makes Good-For-Nothing Heros sink so far below average is its total lack of a pace, its muddled exposition, its often sappy tone and its incredibly tired gags. Seeing Lam Suet in a lead role is a real pleasure and gives the film what little spark it possesses, especially as he gets to share an underdeveloped but quietly offbeat romantic subplot with Christy Chung, in a rare turn as a plain (well, as plain as the stunning Chung can appear : make-up can only go so far), frumpy, big-hearted street food vendor. Unsurprisingly, Francis Ng knows what kind of film he’s in, and does some charismatic sleepwalking. *1/2

THE CONSTABLE (2013) review

997F273241EDAE19DBE9CDA5AC64EFC67764F0ACD8E71_950_1348 A real estate magnate and a chairman and executive producer at Johnnie To’s Milkyway Image, Dennis Law has had a strange career for the past ten years or so, with the law of diminishing returns, both critically and financially, leading him from the excellent and mildly successful Fatal Contact (Wu Jing’s best film as a lead), to the abysmal and little-seen Vampire WarriorsThe Constable, though even less seen, can however be counted as a return to form of sorts. It follows Kuen (Simon Yam) a transportation officer in the Hong Kong police, who is also a single parent since his wife left, unable as she was to cope with the fact their son (Li Jin-Jiang) has Down syndrome. He is nevertheless helped by Yan (Niu Mengmeng) a kind girl whose lame, up to no good boyfriend (Sam Lee) is close to being recruited by local gangster Kim (Ken Lo) for an upcoming hold-up. We also follow clumsy rookie cop Mei (Zi Yi), and his burgeoning romance with a colleague (Maggie Li). Kuen’s colleague (Lam Suet) and superior officer (Maggie Siu) also pop up from time to time.

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MILLION DOLLAR CROCODILE (2012) short review

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Announced as the very first Mainland Chinese creature feature, Lin Lisheng’s Million Dollar Crocodile is actually more of a comedy, with only a few (attempted) scares along the way. A big crocodile escapes from the restaurant backyard where it was supposed to be slaughtered and cooked. On the way back to its former habitat, it swallows Barbie Hsu’s bag, which contains her savings of the past 8 years. The pixellated saurian thus finds itself trailed by the shrill Taiwanese star, as well as an underdog cop (Guo Tao), the seedy restaurant owner (Lam Suet, God bless him), the owner of its former zoo (the excellent Shi Zhaoqi) and a little boy who befriended it (Ding Jiali). This gallery of characters is fun enough (and there’s a cameo from a very funny Xiong Xin Xin) that the film unfolds passably, going from droll situations to mildly tense predicaments, meekly trying to get a crocodile-conservation message across while flaunting its arguably well-rendered creature (though it is not always seamlessly integrated to the live-action). In the end you get the feeling nobody quite knew what Million Dollar Crocodile should be exactly. **

 

DIVERGENCE (2005) review

Benny Chan’s Divergence proceeds directly from the overwhelming and international success of the Infernal Affairs trilogy. It is not a cash-in, mind you : the kinship here is mainly to be seen in the tight storytelling refusing to be overly explanatory, the cold urban aesthetics and the stellar cast. The Hong-Kong superstar Aaron Kwok plays Suen, a cop whose girlfriend disappeared 10 years ago, and who’s never stopped looking for her, including at the morgue. He has been assigned to the protection of a key witness in the high-stakes trial of a corrupt businessman. The businessman’s lawyer (portrayed by Ekin Cheng) happens to be married to a woman looking remarkably like his long-lost girlfriend. That, coupled with the fact that the witness gets killed by a hitman called Coke (played by Daniel Wu), triggers a chain of events that put Suen’s mental and physical health to the test.

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