PEGASUS (2019) review

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Pegasus is the third directorial effort of Han Han, an artist with a great many strings to his bow: best-selling author, influential blogger, prize-winning rally racer, singer-songwriter and of course, hit-making film director. It follows Zhang Chi (Shen Teng), a former glory of the Chinese rally racing world who after taking part in a dangerous and illegal parking lot race against his then-nemesis (William Feng), was stripped of his driver’s license and racing rights. Now, after five years away from racing, spent as a street cook and taking care of his adoptive son Fei (Li Qingyu), Zhang is staging a comeback. But he’s got no driving license, no car, no money, no sponsor, and only the bumbling poet Yuqiang (Yin Zheng) as his teammate. All he’s got is a deep love of car racing, and will to show the newer generation of drivers, including wunderkind Lin Yidong (Johnny Huang Jingyu), that’s he’s still the best.

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ONE NIGHT ONLY (2016) review

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The directorial debut of Taiwanese actor Matt Wu (seen in Reign of Assassins and Sweet Alibis, among others), One Night Only stars Aaron Kwok as Gao Ye, a hopelessly compulsive gambler in heavy debt with ruthless loan sharks who are threatening to dismember him if he doesn’t pay up. Just after being submitted to a violent shakedown with an assorted ultimatum, he’s visited in his dingy hotel room by Momo (Yang Zishan), a prostitute he didn’t call for, but who insists on staying with him for forty minutes, lest her pimps think she’s not working hard enough. Having noticed Momo has a bundle of banknotes in her handbag, Gao Ye ensnares her into a gambling spree with the promise of profitable returns. Initially reluctant, she soon starts going along with it, and over the course of one long night, the two underdogs get into ever deeper trouble as they cross paths with an unhinged gambling rival (Andy On). They also grow closer to each other, slowly unraveling their most painful secrets.

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DEVIL AND ANGEL (2015) review

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Deng Chao has had a great few months, from starring in Cao Baoping’s acclaimed crime drama The Dead End last summer, to being the lead in Stephen Chow’s record-obliterating The Mermaid during Chinese New Year. In between was Devil and Angel, his second film as a director and a major hit in its own right. It re-teams him behind the camera with Yu Baimei, already the co-director of his previous directorial effort The Breakup Guru and whose script is an adaptation of his own eponymous play, and in front of the camera with his wife in real life (and a hugely popular actress in her own right), Betty Sun.

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