Lost in Russia, the latest installment in writer-producer-director-actor Xu Zheng’s franchise of box-office juggernauts (Lost in Thailand was for a while the highest-grossing Chinese title ever with 208 million dollars, with Lost in Hong Kong topping that impressive tally three years later with 254 million dollars) has known a drastically different fate upon its release. It was among the half-dozen high-profile Chinese New Year film releases cancelled due to the outbreak of the Coronavirus in China. Except while films like Dante Lam’s The Rescue, Chen Sicheng’s Detective Chinatown 3 or Stanley Tong’s Vanguard, among others, are for now biding their time, Lost in Russia was released online for free in the middle of the downcast festivities, as a result of a deal between the film’s studio Huanxi Media, and streaming giant ByteDance.
All posts tagged shen teng
LOST IN RUSSIA (2020) review
Posted by LP Hugo on January 29, 2020
https://asianfilmstrike.com/2020/01/29/lost-in-russia-2020-review/
LOBSTER COP (2018) review
The directing debut of actress Li Xinyun, Lobster Cop follows Yufei (Wang Qianyuan), Hua Jie (Yuan Shanshan), Neng (Liu Hua) and Chen (Zhou Yu), a squad of down-on-their-luck police detectives trying to bring to justice a dangerous trafficker known as The General. While staking out what they suspect to be an operating base for the General’s accomplices, they realize that a neighboring, decrepit lobster restaurant, owned by a nutcase (Shen Teng), would be a perfect vantage point to keep an eye on the activities of the suspects’ house. They gather enough money to buy the restaurant, clean it up and pretend to be a family, but Neng’s delicious spicy crayfish recipe unexpectedly turns what should have been just a front into an instant success, and the targets of their surveillance become regular customers. And soon, the four cops uncover a wider conspiracy.
Posted by LP Hugo on June 18, 2018
https://asianfilmstrike.com/2018/06/18/lobster-cop-2018-review/
GOLDBUSTER (2017) review
Produced by Peter Chan, Sandra Ng’s directing debut GOLDBUSTER follows the seven tenants of a derelict building: a widower doctor (Zhang Yi) and his son (Li Yihang), a webcam girl (Papi), two over-the-hill Hong Kong gangsters (Francis Ng and Alex Fong) and a couple of inventors (Jiao Junyan and Pan Binlong). They believe their building is haunted by a tall, red ghost, but actually this is just a ploy used by a wealthy businessman (Shen Teng) and his son (Yue Yunpeng) to push them to move out, so that they can build a new modern residence. The frightened tenants call upon the services of ghost hunter Ling (Sandra Ng) to exorcize the building and, having realized the deception, to beat the expropriators at their own game.
Posted by LP Hugo on January 5, 2018
https://asianfilmstrike.com/2018/01/05/goldbuster-2017-review/
MISSION MILANO (2016) short review
This caper about an Interpol agent (Andy Lau) who joins forces with a gentleman-thief (Huang Xiaoming) to stop a terrorist organization from using a revolutionary invention known as the Seed of God (a seed that can grow even in the most barren places) for evil purposes could very well be a From Vegas to Macau film, as it sees Wong Jing follow the exact same recipe as in his successful Chinese New Year franchise: pair up a handsome legend with a handsome younger star, surround them with comedians (including here a very funny Shen Teng and a so-so Wong Cho Lam) and cameos (hello, Sammi Cheng) and one or two martial artists (good old Ken Lo and up-and-comer Wu Yue), offer spectacle that combines a five-year old boy’s sense of narrative logic, a ten year-old boy’s taste for absurd high-tech gadgets, and a fifteen year-old boy’s fixation on leather-clad beauties (hello, Michelle Hu and many others). Add a dash of gambling (but not too much, the Hong Kong market is second served), one or two exotic locations, a lot of derivative elements (including a Resident Evil death corridor, Wolverine claws, John Powell’s The Bourne Supremacy soundtrack tracked in the action scenes…) and one or two incongruously straight-faced dramatic moments. In the end, it is indeed a lowbrow but entertaining formula, and Mission Milano is actually more palatable than any of the From Vegas to Macau films. Andy Lau is a delight (Huang Xiaoming seems less comfortable), there are some moderately inspired pratfalls, sight gags and situations, and Dion Lam’s action is cartoony and amusing. All in all, this film deserves the following faint praise: a Mission Milano 2 sounds more tempting than a From Vegas to Macau 4. **1/2
Posted by LP Hugo on January 19, 2017
https://asianfilmstrike.com/2017/01/19/amission-milano-2016-short-review/