CHOY LEE FUT (2011) review

choy-lee-fut In 2001, two films focused on the widely practiced (in China at any rate) martial art known as Choy Lee Fut ; two films films which taken together say less about their subject than 10 minutes of Ip Man conveyed about Wing Chun. Of the two, John Ching’s Choy Lee Fut Kung Fu is the superior film, simply by dint of being funny on purpose. Tommy Law and Sam Wong’s Choy Lee Fut on the other hand, doesn’t seem to realize it’s laughable. Its unbelievably standard storyline concerns a young man (Sammy ‘son of Sammo’ Hung) who moves from London to China with his friend (Kane ‘son of Sho’ Kosugi) in order to learn Choy Lee Fut in a school owned by his father (Sammo Hung) and headed by his uncle (Yuen Wah). But just as they arrive, they are told that the school is about to be bought by a mega-conglomerate, and that the only way to keep ownership of it is to win a martial arts tournament a month later.

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WHO IS UNDERCOVER (2015) review

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Fan Jianhui’s Who is Undercover cashes in on the success of classy and starry Chinese spy thrillers like Alan Mak and Felix Chong’s The Silent War or Gao Qunshu and Chen Kuo Fu’s superb The Message, with a story that borrows heavily from the latter film (though set slightly earlier in Chinese history).  In 1934, the secret services of the Kuomintang government round up suspects (including Lin Chi Ling and Gillian Chung) in a military base and torture them in an attempt to identify the undercover communist agent among them while on the outside, the head of the underground communist party (Tony Leung Ka Fai) tries to control the damage and free his agent, known under the codename “The Joker”. Beyond a shared premise, Who is Undercover is often so strikingly similar to The Message that there’s more than a whiff of plagiarism about it. The way the story unravels (with a mix of tragedy and mystery, regular torture scenes, an emphasis on coding and constant twists and scenes replayed in flashbacks to reveal their true meaning), the arc and hidden identity of some of the main characters, and key plot points (which we won’t reveal not to spoil either film) are exactly the same. A few scenes are basically transpositions of ones found in The Message, striking the same dramatic beats with the same narrative or visual tricks. At some point there’s even a key line of dialogue that is a verbatim repetition of one heard in the 2009 film, carrying the same implications. In the end, there’s enough differences that it doesn’t constitute a remake, but enough similarities that it feels redundant and borders on shameless copying.

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THEY CAME TO ROB HONG KONG (1989) short review

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Clarence Fok’s They Came to rob Hong Kong concerns a violent bank robber (Roy Cheung) who has to flee to the Mainland after being nearly caught by a tough cop (Kara Hui). There, he recruits a ragtag team of hapless morons (among which Eric Tsang, Stanley Fung, Sandra Ng, Dean Shek and Chin Siu Ho) to come back to Hong Kong and attempt a daring heist. Except they’re hapless morons, so nothing goes according to plan. This film is actually a complete rehash of any Lucky Stars film : even though only Fung and Tsang were actually members of the comedic team, other members of the cast fit the usual Lucky Stars profiles, as Chin Siu Ho brings the martial arts that would’ve been Sammo Hung’s turf, and Dean Shek has the same kind of paranormal pretensions that Richard Ng’s character would display. The structure is also the same : an action-packed opening sequence (in this case an impressive and savage fight and chase scene on cluttered rooftops, as the terrific Kara Hui hunts down Roy Cheung) gives way to a comedic middle-section where, among other subplots, the group is given a beautiful woman to lust after (in this case, Chingmy Yau), after which things are wrapped up in a big action finale. Except while the action bookends are fine, the comedic middle is painfully unfunny and interminable. While Eric Tsang is always hilarious, Sandra Ng’s shtick quickly gets wearisome, and the ensemble simply doesn’t have the Lucky Star’s chemistry. **

THIS GIRL IS BADASS (aka JUKKALAN) (2011) review

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The budding Thai martial arts star Jeeja Yanin’s third and latest film as a lead, This Girl is Badass was directed and co-stars Petchtai Wongkamlao, a popular Thai comedian best known worldwide as Tony Jaa’s comic relief in the Ong Bak and Tom Yum Goong films. JJ plays Jukkalan, a bike delivery girl who runs afoul of rival mobsters who hired her and whose dirty money she kept for herself. But this short plotline accounts only for a small fraction of the film’s scenes (mostly the action scenes). The bulk of the film actually focuses on Jukkalan’s world : her uncle Sawang (Petchtai Wongkamlao), who secretly pines for a pretty widow (Siriporn Eiamsuk) whose late husband he actually assassinated in his violent and unspoken past (this sounds somber but is treated in a very matter-of-fact way in the film, and never addressed when the two get closer) ; her boss Samureng (Akom Preedakul), a good-natured weirdo with a knack for outrageous outfits ; Duan (Chalerm Yamchamang), a lovesick and awkward boy who loves her but can’t seem to catch a break ; and, among a few others, Pong (Athit Amonwet) the boy she loves, but who she finds out is actually more interested in ‘elephant fights’ (we’ll let you guess or discover what that means).

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IRON ANGELS 2 (aka ANGELS 2) (1988) short review

Angel-II-1988 The very first directorial effort of Stanley Tong, who went on to become one of Jackie Chan’s directors of choice with films like Police Story 3 : Supercop and Rumble in the BronxIron Angels 2 sees the the return of the titular “angels”, elite mercenaries played by Moon Lee, Elaine Lui and Alex Fong, with the notable absence of David Chiang who played their boss in the first film but with the notable addition of Kharina Sa, a strikingly stunning panther of a woman with no backstory and little dialogue. This time they’re vacationing in Malaysia, where they meet Alex’s lifelong friend Peter, who’s become a wealthy businessman. But just as Elaine starts to fall for him, the Angels realize that he’s actually a wannabe-dictator with a small army of his own, and that they have to stop him. Similar to the first film, Iron Angels 2 features surprisingly little action for much of its runtime, a fact that is disappointing considering this is a film so crudely plotted that the villain’s evil ambitions are revealed with a scene of him watching archive footage of Hitler. But again like the first film, it all ends with almost half an hour of intense action, in this case a relentless Rambo-inspired jungle-set action scene, with Alex Fong carrying out a one-man ambush on dozens of soldiers, Moon Lee taking on Yuen Tak (who also choreographs the action) in a furious fight, and Elaine Lui gunning down henchmen while hanging from a zip line. It’s a superbly bombastic and exciting piece of action directing and fearless stuntwork (witness Moon Lee’s un-doubled narrow escape from an exploding watchtower, the lady has guts), a reward to the audience for sticking through one hour of fairly uninvolving drama. **1/2

THE INSPECTOR WEARS SKIRTS 4 (1992) review

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This is the final film in an enjoyable but trashy film series that had used up its thin concept by the first installment, then rehashed it for a second film, before injecting a big dose of craziness for the third episode. And so it comes to The Inspector Wears Skirts 4, with the only returning cast members being Sandra Ng, Kara Hui and Billy Lau, as well as Wung Fu in the role of the superior officer. A botched operation has led to the disbanding of the female commando : Sandra Ng has become a widow and overbearing single mother, Kara Hui has entered a mental institution after a nasty fall left her nuttier than a Pecan log, and Billy Lau is now a school supervisor, and has married Sheila Chan after a short fling with Sandra that ended in near-castration. A new female commando has been formed, headed by Moon Lee, but is found to fall very short of its tactical objectives, which is why Sandra and Kara are called back, and a tough cop and instructor, played by Cynthia Khan, is brought in to whip them back into shape.

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THE AVENGING QUARTET (1992) short review

51DKD1ZDVKL There are few films in the genre of Hong Kong action films more misguided than Stanley Siu Wing’s The Avenging Quartet. Its plot, about a Mainland cop (Cynthia Khan) who comes to Hong Kong to look for her boyfriend (Waise Lee) with the help of a kind but ass-kicking Hong Konger (Moon Lee) and a overeager cop (Chin Kar Lok), only to find out he is involved in the theft of a priceless painting that he’s about to sell to Japanese gangsters (among whom Yukari Oshima and Michiko Nishiwaki), is neither better nor worse than the average screenplay in the Girls With Guns sub-genre. Its title is misleading because the four actresses never join forces, but misleading or over the top titles were commonplace at the time. No, the film’s hugely grating shortcomings are the following : it sets itself up as a tough action film, but is content to just noodle around for more than an hour, as Cynthia Khan and Moon Lee plays video-games, go shopping and look for Waise Lee ; it casts Yukari Oshima and Michiko Nishiwaki, two smouldering, statuesque and charismatic actresses, only to give them about 15 minutes of combined screen time ; and most jarringly, it suddenly breaks up its fairly light tone to feature an ugly rape and torture episode that is completely out of place. The final 10 minutes finally deliver on the film’s promise by having the four actresses fighting each other in a house on fire, and it’s a suitably intense and brutal finale, but it’s simply too little, too late. *1/2

HOW TO MEET THE LUCKY STARS (1996) review

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The seventh and final film in the Lucky Stars film series, Frankie Chan’s How to Meet the Lucky Stars was meant as a benefit film to help legendary producer Lo Wei (the man who made Bruce Lee a star and almost stopped Jackie Chan from becoming one) who at this point was close to bankruptcy. All the leads worked for free, but sadly not only was the film a box-office flop, but Lo Wei passed away during the shoot. Richard Ng, Stanley Fung and Eric Tsang return, with Michael Miu once again filling in for Charlie Chin after Twinkle Twinkle Lucky Stars, and Sammo Hung being absent from much of the film despite playing two different roles (his usual Lucky Star character Eric Kidstuff who’s stuck in a hospital, and a policeman). This time the Lucky Stars are recruited to help expose a gambling femme fatale (Gung Suet Fa), whose shady methods have led to the death and dishonor of a gambling star (Chen Kuan Tai). They are joined by a Shaolin monk (don’t ask why) and of course, a gorgeous woman (the stunning Francoise Yip) to drool over, as per the Lucky Stars formula. There’s also a laundry list of cameos, from Cheng Pei Pei as a gambling teacher to Lowell Lo as, erm, some guy.

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ONCE A GANGSTER (2010) review

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When triad boss Kerosene (Alex Fong) decides to retire due to crippling debts, he names Roast Pork (Jordan Chan) his successor, but the latter doesn’t want the job : though a fearless henchman, his true calling is as a chef and restaurant owner alongside his wife (Michelle Ye) and kids. Another contender is Swallow (Eking Cheng) who just got out of jail after a 20-year sentence for killing a snitch to cover his comrades, and who’s being actively championed by his drug addict mother (Candice Yu). But Swallow doesn’t want the job either : while in prison he’s become passionate about economics and plans to earn a master’s degree. The final contender is Scissors (Conroy Chan), a triad goon so incompetent that he’s the only one not to realize that his right-hand man Chen (Wilfred Lau) is blatantly an equally incompetent undercover cop. Reluctant contenders and overeager challengers are now set on a collision course.

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CHOY LEE FUT KUNG FU (2011) review

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A few years before Donnie Yen gave him an opportunity to demonstrate his actual kung fu skills in The Iceman 3D and Kung Fu Jungle, Wang Baoqiang already demonstrated his martial arts proficiency in John Ching’s Choy Lee Fut Kung Fu (not to be confused with Choy Lee Fut, a film starring Sammo Hung and his son, that came out the same year). Wang plays Danny (Wang Baoqiang), a young martial arts enthusiast who arrives in Hong Kong to head a school of Choy Lee Fut (a combination of Northern and Southern Chinese kung-fu systems) owned by his wealthy father (Ng Man Tat). At the airport, he’s swindled out of his wallet and phone but is given help and shelter by a young woman (Michelle Ye), much to the chagrin of her jealous boyfriend (Miu Tse) and her kind but suspicious mother (Kara Hui). With an important boxing match coming up, Danny is trained by a master of Choy Lee Fut (Norman Tsui), while the school’s janitor (Wong Yat Fei) tries to locate the second half of an old martial arts manuscript, which contains a map to a treasure map.

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